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$1.1 Million Gift to UCLA Establishes Rouben Mamoulian Chair

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  • $1.1 Million Gift to UCLA Establishes Rouben Mamoulian Chair

    PRESS RELEASE
    Aug. 19, 2004

    Teri Bond Michael, [email protected]
    (310) 206-3235
    Sasha Stone, [email protected]
    (310) 206-5490

    $1.1 Million Gift to UCLA Establishes Rouben Mamoulian Endowed Chair in
    Directing for Film and Theater

    UCLA Film and Television Archive screens Mamoulian's 'Love Me Tonight'
    during Festival of Preservation Aug. 21

    The estate of Azadia Mamoulian, widow of film and theater legend Rouben
    Mamoulian, has donated $1.1 million to the UCLA School of Theater, Film
    and Television to establish an endowed chair in theatrical and motion
    picture directing, announced Robert Rosen, dean of the school.
    Mamoulian's musical masterpiece, "Love Me Tonight" (1932), was recently
    restored by the UCLA Film and Television Archive and will screen at the
    James Bridges Theater, at 7:30 p.m., Saturday, Aug. 21, as part of their
    12th Festival of Preservation. For information, call (310) 206-FILM or
    visit www.cinema.ucla.edu .

    "To have an artist of the distinction of Rouben Mamoulian associated
    with the chair is a great honor for us," Rosen said. "It is particularly
    appropriate since Mamoulian moved easily between stage and screen, just
    as our students are encouraged to do during their time on campus."

    The Mamoulian Chair enables the school to invite film and theater
    artists of great distinction to teach at UCLA and enhance the
    curriculum. During the most recent academic year, the chair funded the
    residencies of veteran award-winning directors Robert Butler, Barry
    Primus and Joe Sargent in the Department of Film, Television and Digital
    Media. The residency of distinguished musical theater director Jeremy
    Mann also was funded and resulted in a sold-out Ray Bolger Musical
    Theater production of "Into the Woods."

    Mamoulian's films are known for their sex and seduction, wit, lyricism,
    and highly inventive filmmaking techniques. "Love Me Tonight" is an
    enchanting tale of an amorous tailor (Maurice Chevalier) who woos a
    lovelorn princess (Jeanette MacDonald). The film was a landmark
    collaboration between Mamoulian and composers Richard Rodgers and Lorenz
    Hart. They produced a technique that was revolutionary at the time
    wherein the story, action and dialogue were seamlessly integrated with
    irresistible songs. The Packard Humanities Institute funded the
    restoration of the print.

    In addition to "Love Me Tonight," the UCLA Film and Television Archive
    has restored such Mamoulian classics as "Applause" (1929), "City
    Streets" (1931), "The Song of Songs" (1933), "Becky Sharp" (1935), "The
    Gay Desperado" (1936), "High, Wide and Handsome" (1937) and "The Mark of
    Zorro" (1940).

    Additional films directed by Mamoulian include "Dr. Jekyll and Mr. Hyde"
    (1932), "Queen Christina" (1934), "We Live Again" (1934), "Golden Boy"
    (1939), "Blood and Sand" (1941), "Rings on Her Fingers (1942), "Summer
    Holiday" (1948) and "Silk Stockings" (1957).

    Born and raised in Russia, Mamoulian studies law at the University of
    Moscow and pursued his love of theater by taking acting courses in the
    evening. He began his directing career on stage in London and New York
    and received critical acclaim for his 1926 Broadway non-musical
    production of "Porgy," featuring an all-black cast. That hit led
    Paramount studios to sign Mamoulian to direct the drama "Applause"
    (1929).

    Throughout his moviemaking career, Mamoulian returned frequently to the
    stage, overseeing productions of the Gershwin opera version of "Porgy
    and Bess" in 1935 and "Carousel" in 1945. He won much praise as the
    original director of "Oklahoma" in 1943. In later years, he turned to
    writing. He died in 1987 at the age of 90.

    The Mamoulian Chair is part of UCLA's Ensuring Academic Excellence
    initiative, a five-year effort aimed at generating $250 million in
    private commitments specifically for the recruitment and retention of
    the very best faculty and graduate students. The initiative was launched
    in June 2004. Its goals include $100 million to fund 100 new endowed
    chairs for faculty across campus, increasing the number to 331. In
    addition, campus officials plan to increase support for an estimated
    3,500 graduate students per year by raising $100 million to fund
    fellowships and scholarships in the UCLA College and $50 million for
    fellowships and scholarships in UCLA's 11 professional schools.

    About the UCLA School of Theater, Film and Television
    The UCLA School of Theater, Film and Television offers its students a
    unique blend of scholarship and practical training, bringing together
    the highest levels of professionalism with the social mission of a
    public university. Its landmark integration of theater, film, television
    and digital media and its outstanding faculty and facilities nurture
    creative innovation, personal vision and social responsibility.
    Comprehensive undergraduate and graduate programs are offered in acting,
    animation, critical studies, design, digital arts, directing, production
    and writing. The recipients of Oscars, Emmys, Tonys and other
    prestigious awards, alumni include such notable artists as Allison
    Anders, Carol Burnett, Charles Burnett, Nancy Cartwright, Francis Ford
    Coppola, Susan Egan, David Koepp, Frank Marshall, Greg Nava, Alexander
    Payne, John Rando, Tim Robbins, Eric Roth, John Rubinstein, Pietro
    Scalia, Paul Schrader, Tom Schumacher, Tom Shadyac, Brad Silberling,
    Penelope Spheeris, Gore Verbinski and many more.

    About the UCLA Film and Television Archive
    The UCLA Film and Television Archive is internationally renowned for its
    pioneering efforts to preserve and showcase not only classic films and
    television, but also contemporary, innovative moving image media. The
    archive also is a unique resource for media study, with one of the
    largest collections of media materials in the United States - second
    only to the Library of Congress in Washington, D.C. - and the largest of
    any university in the world. Its vaults hold more than 220,000 motion
    picture and television titles and 27 million feet of newsreel footage.
    The combined collections represent an all-encompassing documentation of
    the 20th century.

    -UCLA-
    SS379

    From: Emil Lazarian | Ararat NewsPress
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