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  • Morocco: Gnaoua World Music Festival, Music and Dialogue

    Essaouira
    Gnaoua World Music Festival, Music and Dialogue

    By Karima Rhanem | Morocco TIMES 4/21/2005 | 12:59 am

    Morocco Times, Morocco
    April 21 2005

    Essaouira, formerly known as Mogador, is hosting the 8th edition of
    the Gnaoua World Music Festival June 23-26. The four-day Gnaoua (West
    African trance music) festival is one of the few cultural events that
    brings together audiences from all social classes. Fans of Gnaoua enjoy
    the cries of the seagulls and sleeps to the sound of the 'guembri'
    and the 'qraqebs'.

    The festival provides a platform for exchanges and a meeting point of
    music and dialogue between foreign artists and the mystical musicians
    of Essaouira. In this extraordinary melting-pot of musical fusion,
    the master Gnawa invite players of jazz, pop, rock and contemporary
    World music to explore new avenues.

    In exciting meetings between the heirs of a secular tradition and
    artists from diverse horizons, the musicians discover new cultures,
    and for some, a return to their roots.

    Top world musicians including The Wailers from Jamaica, Omar Sosa from
    Cuba, Norbert Lucarain from France, and vibraphone Rick Margitza from
    USA are expected to put a new flavour to this 8th edition, along with
    their Moroccan counterparts.

    Moroccan top Gnaouas include H'mida Boussou, who is regarded as an icon
    by the Casablanca Gnawa brotherhood, Mahjoub Khalmous from Marrakech,
    Chérif Regragui from Essaouira, Hamid el Kasri from Rabat, and others.

    The festival is a unique moment of coexistence while voices unite
    East and West. The Thalweg Band, a Berber-Celtic mixture, is a token
    to music's magic and universality.

    The Bozilo Jazz trio, mustering a Serbian pianist, a French-Algerian
    drummer and a French saxophonist playing Afro-American, Slave and
    Maghreban sounds, sings for a world without frontiers.

    Egypt's famous pianist and composer Fathi Salama, who created a new
    generation of Arabic pop music - certainly nothing to do with Gnaoua -
    will also participate in this year's edition.

    He is a collaborator of the 2005 Grammy Awards Senegalese star, Youssou
    N'Dour, who will offer a concert at the closing day of the festival.

    A rendez - vous with Indian music is also scheduled. Singaporean Nantha
    Kumar, Etienne Nbapé of theZwinul Syndicate group from Guadeloupe,
    Arto Tunçboyaciyan from Armenia will put their touch to the festival.

    The big surprise of the festival is the participation of the Thalweg
    group directed by Khliff Miziallaoua from L'Orchestre National de
    Barbès, which blends music of the Maghreb with European and Celtic
    music.

    This year's edition will pay tribute to a big master of the "music
    of the people" Abderrahman Paca, founder the 60s popular group Nass
    El Ghiwane.

    Situated on the Atlantic coast of southern Morocco, the bay of
    Essaouira has attracted countless navigators for centuries. The port
    and ramparts were fully developed during the Alaouite dynasty in the
    18th century.

    During this period the trading of European goods in exchange for
    ostrich feathers, gold dust, salt and slaves from Black Africa
    thrived. The Gnawa are the descendents of these slaves.

    This unique fortified port has continued to fascinate travellers and
    artists from all over the world, including Orson Welles, Jimi Hendrix,
    Mick Jagger, Maria Callas and Pasolini to name but a few. It has
    recently been classed as a World Heritage site by UNESCO.




    Who are Gnawa?

    Gnawa are the descendents of slaves originating from Black Africa
    who established brotherhoods throughout Morocco. They are made up
    of master musicians (maâlem), metal castanet players, clairvoyants,
    mediums and their followers.

    They are at the same time musicians, initiators and healers, blending
    African and Arabo-Berber customs. Despite being Muslims, the Gnawa
    base their ritual on Jnoun (spirits) straight from the the African
    cult of possession.

    The most spectacular and important ceremony is the Lila, whose
    function is essentially therapeutic. During the celebration, the
    maâlem and his group call on the saints and supernaturel entities
    to take possession of their followers who fall into a trance.


    Their instruments:

    -3-stringed percussive lute (guembri) -Large metal castanets (qraqeb)
    -Drums (ganga)

    Their ritual can be compared to Haïtian voodoo and Brazilian macumba.

    The music of the brotherhood - of which only the profane part is
    played on stage to the public during the festival - has sparked a
    wave of emulators on the international scene.




    Glossary

    Gnaoua: plural of Gnawi. A generic term which includes all members
    of the brotherhood including the master musicians, castanet players,
    clairvoyant healers and the followers of the cult.

    Maâlem: master of the ceremony

    Moqadma: priestess

    Tallaâtes, chouwafates or arifates: clairvoyant healers

    Mlouk: supernatural entities

    Guembri or Hajhouj: percussive 3-stringed lute

    Aouicha:small guembri

    Qarqabats or Qraqech: metal castanets

    Tbel: drums

    Ftouh errahba: beginning of the mlouk repertory of songs

    Derdeba or Lila: Ritual of possession

    Hal or jedba: trance

    Koyo: Pre-Islamic musical repertory

    The Essaouira Gnaoua World festival website provides more information
    on Gnaoua. To visit the site go to www.festival-gnaoua.co.ma

    --Boundary_(ID_o39jU4QlkGRaGobOtAmrrg)--
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