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  • Classical Music: Diary

    CLASSICAL MUSIC: DIARY

    The Independent - United Kingdom
    Feb 07, 2005

    Michael Church


    V "I didn't try to make it; it came from inside me," says Sir John
    Tavener of his The Veil of the Temple, designed to last from dusk
    till dawn in church and 150-minutes long on the new RCA Red Seal/Sony
    CD released next Monday. Starting with Sufism and ending among the
    Hindus, it reveals the Blessed John in unprecedentedly ecumenical
    form, but I'm reassured to find his prejudices still intact. When
    I ask what he means by this being "an attempt to restore the sacred
    imagination", he replies: "It's about a dimension in art which has
    got totally lost. When humanism came in with late Beethoven, art
    for art's sake became the goal, leading to things like the artist
    currently exhibiting his own excrement in the Tate."

    V Who is Armenia's greatest composer? Not Khachaturian, despite the
    Soviets' relentless promotion of Spartacus. Few outside Armenia may
    have heard of Solomon Solomonian, but his fate encapsulates that
    of his country, and his compositions have a uniquely compelling
    force. In 1915, with 700 other Armenian intellectuals, he was seized
    and tortured by the Turks; he escaped, but went mad, and he died
    in a Paris asylum. He's the subject of a suitably left-field film
    at the London Armenian Film Festival, which opens on Friday at the
    Institut Francais.

    V The Takacs Quartet's recordings of Beethoven's string quartets
    are being justly acclaimed, but readers of the liner notes may
    wonder why none of the players is called Takacs. The ghost is Gabor
    Takacs-Nagy, who co-founded the quartet, but left and now leads his
    equally acclaimed Takacs Piano Trio. But it's a shame Decca should
    be so economical with the truth.
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