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System of a Down doesn't mince words

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  • System of a Down doesn't mince words

    Orange County Register, CA
    May 20 2005


    System of a Down doesn't mince words

    CD Review: The first half of a divided double album, System of a
    Down's "Mezmerize" is the quartet's sharpest work yet.


    System of a Down, "Mezmerize"(American/ Columbia) - The secret to
    this unclassifiable quartet of Armenian absurdists' brilliance is
    their brevity. Not just in the sense time, though it is impressive
    that this first half of a divided double album ("Hypnotize" is due in
    fall) crams together such a wealth of brain-teasers and twisting
    meter switches without going over 37 minutes.

    Unlike the band's previous efforts, which flailed toward feeble
    finales, no track here overstays its welcome. Greatly abetted by
    sympathetic producer Rick Rubin, each cut melds Elfmanesque lunacy,
    Zappa-style satire and an affinity for soaring and swooping old-world
    Eastern chants to metallic (but never overly abrasive) hooks and
    funky change-ups that should seize even those fleeing from it.

    But that's not the sort of brevity that sets this singular System
    apart; it's in the way chief madmen Daron Malakian (guitars and
    vocals) and Serj Tankian (vocals) make stinging points with only a
    line or two. One defiant couplet - "Why don't the presidents fight
    the war? / Why do they always send the poor?" - accomplishes
    everything scores of recent protest pieces have been struggling to
    say, or simply overstating.

    Wisely, Malakian and Tankian, their voices superbly locked in
    otherworldly harmony when not taking turns dropping verbal bombs,
    simply repeat their best phrases, rather than try to elaborate. It's
    a trick Zappa knew well but rarely employed so succinctly, though the
    over-the- top anatomy comparison and operatic parody of "Cigaro"
    seems ripped from his work.

    System - natural metalheads as much as avant-gardists - remain
    experts of the wicked jab, preferring to let the walloping,
    mind-boggling force of their choppy music do more talking than any
    direct attacks, regardless of the target: "Radio/Video," television
    and extreme perversity in "Violent Pornography," Hollywood vapidity
    (more than once) and the overriding attitude that their generation is
    grossly apathetic.

    "We'll go down in history / With a sad Statue of Liberty / And a
    generation that didn't agree," they sing in one of the album's more
    conventional yet crushing moments. It's a look- in-the-mirror
    breakthrough on what is surely their sharpest work yet. Grade:A (Ben
    Wener/The Register)
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