Announcement

Collapse
No announcement yet.

Lebanon: How many times 1948?

Collapse
X
 
  • Filter
  • Time
  • Show
Clear All
new posts

  • Lebanon: How many times 1948?

    Hindu, India
    Aug. 13, 2006

    Lebanon: How many times 1948?

    ANJALI KAMAT

    In October 2005, Lebanon saw demonstrations and heady hopes for a new
    future. Where are those hopes now?


    Qana carries a heavy symbolic weight in Lebanon.

    I VISITED Lebanon twice this past year; first in October 2005 and
    then, more recently, in May 2006. During my first trip, the country
    was consumed by speculations over possible revelations in the first
    report from the UN inquiry into the assassination of former Prime
    Minister Rafiq al Hariri. It had been eight long months of explosions
    and mourning - but also of million-strong demonstrations and heady
    hopes for a new future. The day the report was released, Beirut was
    practically under curfew. Driving along the former "green line,"
    which had divided the city into the predominantly Christian East and
    Muslim West during the civil war, Beirut's empty streets seemed
    stalked by fear, uncertainty, and an aggressive mix of memorialising
    and amnesia.

    As my gracious Armenian friend proudly showed me around her beautiful
    city, we walked through the reconstructed alleys of central Beirut
    and followed Hariri's last footsteps - oddly memorialised in
    Hollywood-style silver footprints - past rows of sunny cafes and
    overpriced air-conditioned boutiques.

    Stark contrast


    This area, rebuilt under Hariri, was in stark contrast to the
    bombed-out buildings that still haunt much of the city. These
    remnants of the civil war, every remaining surface pockmarked with
    dozens of bullet holes, stood like defiant reminders of the
    unspeakable horrors of the war years - and of the lingering poverty
    and disquiet - that the Lebanese seemed so determined to forget.

    Every inch of wall space across the city was covered with glossy
    pictures of both the "martyrs of the Independence Intifada," the
    vocal opponents of Syrian influence in Lebanon who had been
    assassinated in the preceding months, as well as a motley crew of
    controversial political figures: including former Christian warlords
    Samir Geagea and Michel Aoun and Hizbollah leader Hassan Nasrallah.
    Any remaining space was prominently occupied by English and Arabic
    stickers demanding "The Truth," in reference to the Hariri-family led
    campaign to uncover the motives behind the assassinations between
    February and October 2005 that claimed over two dozen lives.

    Next to Hariri himself, the most popular poster was of the
    charismatic Samir Kassir, a Palestinian-Lebanese leader of the
    Democratic Left movement and a prominent intellectual who played an
    active role in the popular and multi-confessional uprising in March
    and April demanding government accountability and an end to Syrian
    presence in Lebanon.

    He was killed by a car bomb outside his home in the plush Christian
    neighbourhood of Achrafieh on June 2, 2005. Critical of both
    repressive Syrian power in Lebanon as well as the brutality of
    American imperialism, he had become a hero of sorts for the secular,
    democratic left across the Arab world. On seeing his pictures, my
    fellow traveller, an outspoken Yemeni feminist, immediately ripped
    one of them off the wall to take back home with her.


    * * *
    When I returned half a year later, the UN investigation, though still
    ongoing, had slipped off the front pages, and the urgency created by
    the assassinations and the "independence uprising" seemed to have
    cooled off.

    The political class was in the midst of a "national dialogue" and
    politicians from the left and right, anti- and pro-Syrian, religious
    and secular, Druze, Maronite, Orthodox, Sunni, and Shiite, many of
    them once sworn enemies, were all talking to each other.

    The rest of the country, it seemed, was trying very hard to put the
    previous year behind them and concentrate on the World Cup and the
    summer ahead. Beyond the immediate importance of one's allegiance to
    three most popular teams, Brazil, Italy, or Germany, people I talked
    to were planning holidays, weddings, conferences, art shows, film
    festivals, concerts, and their futures.

    I too was content to let politics and history slide as I enjoyed the
    breathtaking beauty of the Lebanese coastline and hillsides and
    feasted on the finest seafood in the picturesque old port towns of
    Jbeil and Saida. But ambling through the bustling alleys of the
    Palestinian refugee camp of Sabra in search of a kuffiyeh - that
    chequered symbol of Palestine solidarity - even as I entertained
    fantasies of moving to Beirut, I woke back up to history. It was
    here, and in the neighbouring camp of Shatila, that in September 1982
    the Lebanese Phalangist militias, under the watchful eyes of Ariel
    Sharon, massacred over 1,500 Palestinians - a people whom, in
    Palestinian poet Mahmoud Darwish's words, "the waves of forgetfulness
    had cast upon the shores of Beirut."


    * * *
    Today, a little over two months since my last visit to Lebanon, the
    country has been plunged into chaos and in an ironic twist,
    Palestinians in Sabra, Shatila, and elsewhere - Lebanon's "unwelcome
    guests" - have opened their camps to shelter a new generation of
    refugees.

    One month of Israeli air strikes, now combined with ground attacks,
    has meant daily massacres, one million refugees, shattered
    infrastructure, fears about the possible use of cluster bombs and
    depleted uranium munitions, and a 15,000-tonne oil spill along
    Lebanon's coastline that former Greenpeace campaigner Wael Hmaidan
    describes as the "biggest environmental catastrophe in the history of
    the country."

    One of the most outrageous acts of Israeli aggression on Lebanon was
    the indiscriminate bombing of an apartment building in Qana on July
    30, that crushed some 60 civilians to death, over half of them
    children. They died, under the rubble of a building they had sought
    refuge in, when it collapsed after two air strikes in the middle of
    the night.

    Symbolic weight


    Qana carries a heavy symbolic weight in Lebanon: ten years ago, this
    mountain village, where Jesus was supposed to have once made water
    into wine, was shelled by Israel, during its "Operation Grapes of
    Wrath," killing 106 civilians - again, more than half of them children
    - seeking refuge at a UN shelter.

    In the despairing words of Beiruti artist Mazen Kerbaj: "2,000 years
    ago, in Qana, Jesus transformed water into wine; today in Qana, the
    Israeli Air Force transformed children into ashes; today in Beirut, I
    am unable to transform this page into a drawing."

    My Armenian friend asked me if Americans would still support
    expedited deliveries of bombs to Israel if the US media had shown
    them the horrifying images from Qana of dozens of dead children being
    exhumed from the rubble. Like Robert Fisk, writing in The Independent
    on July 31, she imagined that you had to have a "heart of stone to
    not feel the outrage that those of us watching this experienced." I'm
    not sure how to convey my cynical sense that for Americans, and to
    some extent people all over the world, weary of daily tragedies in
    their inboxes and morning papers, what is happening in Lebanon, as
    with Afghanistan, Gaza, Iraq, and Sudan, will soon become quite
    "normal" - perhaps even rationalised as part of the endless "cycle of
    violence" in a "naturally" turbulent region, or worse, a necessary
    cost of the "war on terror."

    Powerful statement


    Two weeks into the start of the Israeli assault, 70 Lebanese writers,
    artists, journalists, academics, and filmmakers, circulated a
    powerful statement against U.S.-supported Israeli impunity and the
    normalisation of state terror. Building on a growing international
    campaign for boycott, divestment, and sanctions, they called for
    marginalising Israel - along the lines of movements against apartheid
    South Africa - through "boycotting Israeli products and Israeli
    academic and scientific institutions that do not condemn the Israeli
    aggression against Lebanon."

    But even as people in Lebanon and around the world register their
    protest, I can't shake Palestinian artist Emily Jacir's unsettling
    words: "Is this all fodder for entertainment? Something for people to
    write about, make art about, make films about, cry about, complain
    about, shout about, and then go home and live while the bombs drop
    and entire countries are destroyed? How many generations have to live
    through these Israeli horrors? Watching the generation of my parents
    having to re-live all this yet again ... how many times 1948?"
Working...
X