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ANKARA: Internalizing Orhan Pamuk

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  • ANKARA: Internalizing Orhan Pamuk

    Zaman, Turkey
    Oct 21 2006

    Internalizing Orhan Pamuk

    ETYEN MAHCUPYAN
    10.21.2006 Saturday - ISTANBUL 22:33

    Societies which are unable to get out of their communal mentality
    have always had trouble grasping the concept of the individual,
    created by modernity, because being an individual requires, above
    all, looking at oneself from out of one's community.

    This is already the very definition of the intellectual and this
    difference also points out why the "enlightened" in Turkey fail to
    become intellectuals. As for communities, they only create
    "enlightened." These are people who think they know what is true and
    assume a mission of promoting the progress of society toward these
    right goals. While doing so, they also pursue a goal of making the
    values of their community dominate the demands of others. Such people
    would not be awarded a Nobel Prize, for instance. All those who have
    been awarded Nobel Prizes so far are people who succeeded in
    developing a critical viewpoint toward their lands and created a new
    localism out of this criticism. Therefore, it is not surprising that
    Orhan Pamuk is perceived as a stranger because of the communal
    perception in Turkey. In fact, Pamuk is even on the margins of the
    secular circles in Turkey, not to mention the conservative ones.

    However, for this very reason, his critical view toward every point
    about himself made him real and enabled him to raise a localism with
    a universal meaning to an intellectual level. In his book Istanbul:
    Memories and the City, the author deals with his childhood, family
    and the cultural structure around him. He describes the background of
    Istanbul in such a way that he alienates and marginalizes while
    localizing himself by making it a part of the world he is talking
    about.

    This novelist was awarded a Nobel Prize in literature for his ability
    to handle his novels with this deep point of view. Those who say
    Pamuk was awarded this prize for political reasons probably think his
    books were translated into so many foreign languages and became
    best-sellers as a result of lobbying activities. A parvenu culture of
    keeping books on shelves instead of reading them is widespread in our
    society but such a custom almost never existed in Western societies.

    For over a decade Pamuk has been regarded as a "pioneering" writer,
    in Western literary circles, reflecting the futuristic novel on the
    present day. Hadn't he dealt with political issues that much, perhaps
    Pamuk would have already been awarded this prize because Pamuk's real
    strength lies in his distance from his objects and the courage to
    declare this openly, as well as his ability to unite his high
    intelligence, power of observation and expression within a literary
    tradition. Pamuk also pushes the limits of the novel while doing so.

    The remarks of those who criticize him show the abysmally low number
    of people who possess the same intelligence and courage in our
    society and how hard it is for a man of letters to look at himself
    and things from out of his community.

    Being a universal man of letters does not only imply an ability to
    write well. Even intelligence and courage are not enough.

    Synthesizing this in a way to address people's minds and hearts also
    requires honor. As for honor, it does not mean an official discourse
    charged with preserving the national outlook as some people consider
    it to be. It requires dealing with the society and history in a
    conscientious way. Those claiming that Pamuk was awarded the Nobel
    Prize because he had said a million Armenians were killed in this
    country are apparently trying to say that this statement should not
    be made by a "good" man of letters because a person with a conscience
    cannot say the opposite. There may be various views on why these
    events took place but rejecting the existence of the event just
    reveals one's fear in confessing his or her lack of ideas.

    Pamuk is not that kind of a man. He is an honest person who combines
    his extraordinary talent with intelligence, courage and conscience.

    It is certainly difficult for communities to "internalize" such
    people.

    From: Emil Lazarian | Ararat NewsPress
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