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Critics' Forum Article - 08.02.08

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  • Critics' Forum Article - 08.02.08

    Critics' Forum
    Visual Arts
    "It's the Village Life:" The Atwater Casitas Artists' Community
    By Jean Murachanian


    "All Armenians are trying to get back to the Village life. It's
    inside them trying to come out" says artist Sevag Vrej of his
    experience working out of Casitas Studios, a newly renovated
    industrial building with a high concentration of Armenian artists in
    Atwater Village, or "the Village". Sevag was the first artist to
    move into the structure about two and a half years ago. At that time
    the space was cavernous and scattered with remnant furniture and
    miscellaneous supplies from its previous occupant, a pharmaceutical
    company. Today the building is about 90% built-out with office and
    studio space occupied primarily by artists, although roughly 20% is
    rented by satellite companies and non-artists. With its cement
    floors, lack of official signage, and re-used pharmaceutical
    furniture, the building maintains its industrial past alongside a hip
    element brought to life by its current creative occupants.


    Located in Atwater Village, California, Casitas Studios is
    conveniently situated between the cities of Glendale and downtown Los
    Angeles, the major recreational attractions of Griffith Park and
    Dodger Stadium, and just minutes from the entertainment industry in
    Silver Lake. Atwater Village is an old residential community begun
    in 1912 for the successful working class. It became a blue collar
    neighborhood of primarily Hispanics and Filipinos and was ignored
    until recently by developers and prosperous urbanites because it had
    been over taken by street gangs. In fact, it is home to some of the
    oldest gangs in Los Angeles, a point which is quite evident from
    their names - Rascals, ToonerVille Rifa, and Frogtown. Although
    improvements are apparent everywhere, including the highly
    anticipated Northeast satellite campus of Los Angeles City College in
    the old Van de Kamps building, the gangs are still busy tagging the
    neighborhood with signs of rivalries that occasionally end in
    tragedy. Bordered on the west by the Los Angeles River, that
    quintessentially urban body of water with its banks of cement, and on
    the east by railroad tracks, the Village has a definite gritty urban
    feel. But it is precisely this combination of ethnic community,
    hoodlum menace, and metropolitan lifestyle, mixed with the excitement
    of urban renovation that makes Casitas Studios an inspiring place to
    work for its resident artists.

    But beyond its interesting ambience, what is particularly unique
    about Casitas Studios is that about two-thirds of the space is
    occupied by Armenian artists. As many of our readers know, when you
    place Armenians in close proximity to each other, the result is a lot
    of interaction. And when those Armenians are artists, the result is
    creative stimulation and networking multiplied. As a bonus, what
    often emerges from their contact is the pleasant discovery of common
    friends and even relatives. It is in essence a microcosm of an
    Armenian village where everyone specializes in a particular skill, is
    somehow connected, and shares a common culture. Although they may
    hail from many different parts of the world - Armenia, Argentina,
    Canada, Iran, Iraq, Lebanon - the resident "Armos" nevertheless feel
    a deep ancestral link that makes working together seamless. Of
    course there are also non-Armenians that are part of this community,
    some of whom have been adopted as honorary Hyes, like graphic
    designer Nathan "Nishan" Wong, who generously serves as the
    building's ad-hoc IT consultant.

    Casitas Studios came into being when the building's owner, Dr. Avo
    Tavitian, decided to convert the space into offices for the creative
    community, with the loose idea of targeting Armenian artists. The
    ratio of Hyes grew through word of mouth as each new occupant told
    their friends about the unique space. Sevag was the first to move
    in. Sole proprietor of Pomegranate Pictures, Sevag is a film
    director and editor. Soon he was sharing office space with Roger
    Kupelian, owner of Fugitive Studios, whose growth has occurred at
    such a rapid pace that he has moved three times within Casitas
    Studios to a progressively larger suite. Roger creates backdrop
    paintings for the film industry, his most prominent recent work being
    for The Lord of the Rings cycle. Sako Shahinian, sole proprietor of
    Sako Designs, who moved in about one and a half years ago, was
    referred to Casitas Studios by a mutual friend of Sevag's, Ara
    Soudjian. A designer extraordinaire, Sako is well versed in the
    design of diverse media, including graphics, animation, fashion,
    film, and editorials. When Sevag heard about Sako and learned he was
    Hye, a member of AYF (Armenian Youth Federation), and a graduate of
    his alma mater, Pasadena Art Center (PAC), he knew he had found the
    perfect office mate.

    All three of these artists recently collaborated on a large project,
    the completion of an unfinished film, Angels, Devils, and Men (ADM),
    which Roger came upon while searching for investors for his biggest
    endeavor, the development and production of East of Byzantium, a
    motion picture about Vartan Mamagonian. ADM was a huge undertaking
    because while all the scenes had been shot, the writer and director,
    Lindsay Shonteff, died suddenly without leaving much of a script or
    storyboard outlining his complete concept of the movie. So Roger,
    Sevag, and Sako were left trying to create a story out of the various
    filmed sequences. Using their sense of creativity, in an effort to
    enhance the plot and its flow, they decided to supplement the picture
    with animation. Roger and Sevag served as Associate Producers and
    Sako as Creative Director. Sevag edited both the film and the
    trailers and Sako designed the logo, website, and animation. They
    also hired mutual friend and musician, Barrett Yeretsian, to compose
    the music for the soundtrack, though he does not have an office in
    Casitas Studios. ADM will soon be making the rounds of the
    international film festivals and our artists are optimistic that it
    will find a cult audience. So be on the lookout for it in the art
    houses and on DVD.


    Local readers may be familiar with Casitas Studios by way of an open
    house held in March 2007, which also highlighted Vahe Berberian's
    Milagros, small colorful images painted on metal, a format inspired
    by an old Spanish tradition. A hip event with food and music, the
    opening was attended by an eclectic crowd of over two thousand,
    including Serj Tankian, lead singer for System of a Down (SOAD), and
    successfully showcased the enormous talent of each artist. The
    occasion also allowed the occupants to get to know one another as
    well as each other's clients. Interestingly, Sako landed a large
    project from the March happening when a friend he already knew hired
    him after actually seeing his work that night.

    The event may have even propelled Serj to hire some of the artists to
    create visual imagery for his first solo album, Elect the Dead,
    released in October 2007 to rave reviews. Roger and Sevag, already
    friends of Serj, were each asked to make a music video, while Sako
    was asked to design the album website, create graphics for a limited
    edition CD, and add imagery to Sevag's music video, which was also
    filmed at Casitas Studio. Reacquainting himself with Sako's work,
    Serj remembered the haunting posters Sako had created for SOAD's 2004
    and 2005 Souls concerts.

    Sometimes collaborative work arises when the artists least expect
    it. For instance, when Roger was casting parts for the publicity
    photos and film teasers needed to market East of Byzantium, he ended
    up finding the perfect cast right under his nose at Casitas Studios.
    After interviewing loads of commercial actors, Roger realized he
    already had Vartan right there in resident artist Dro Arzooian,
    complete with sturdy build and full beard. In the end, he cast most
    of the major roles for marketing purposes from Casitas residents, or
    affiliated family and friends.

    Casitas Studios even houses a husband and wife team, Talene
    Gureghian, owner of ALSO, a graphic design firm, and Andrew Hall,
    photographer. Family connections extend across the hall as well,
    since Talene and Sevag are cousins. Also a graduate of PAC, Talene
    recently completed a major project, a catalogue for Lexus
    automobiles, for which Andrew did the photography and Sako the
    retouching.

    Besides collaborating on various projects and referring business to
    each other, the resident artists also benefit from sharing
    recommendations for preferred vendors. For example, rather than
    using trial and error to find a good animator or printer, designers
    can simply walk down the hall and ask another artist for a good
    referral. Needless to say, this streamlines their efforts and
    enhances the quality of their work.


    Like Atwater Village itself, the occupants at Casitas Studios are an
    eclectic mix - The Fitness Forum (private gym), Anna Yepremyan
    (florist), Imasu by Kellynishimoto (fashion designer), Ruzz
    Photography (portrait photographer), AIM Marketing (advertising
    talent agency), Kluger (architects), Dro Arzooian (fine artist),
    Yithzhak Dalal (photography), The Atwater Playhouse (live theater and
    method acting school), and most recently, Bodies that Work (yoga
    studio). In addition, the second floor houses a team of lawyers,
    Avo's administrative staff, and until recently the Los Angeles office
    of the Armenian Reporter. With such a variety of businesses, the
    atmosphere can be quite lively, with fashion models clacking down the
    halls on their way to a fashion shoot, actors milling around
    anxiously awaiting their audition at the Atwater Playhouse, and gym
    patrons sprinting through on their way to their next appointment.
    All this leads to some antics from the occupants, including lots of
    head popping at the first sound of high heels, rounds of basketball
    in the hallways, and the circulation of animated note cards
    illustrating quirky occurrences in the building. Their camaraderie
    also extends beyond the walls of Casitas Studios, with lunch outings
    in the urban neighborhood and bike rides along the L.A. River bike
    path. They even share in major life events, sometimes by
    contributing their own talents as seen in the upcoming wedding of
    Andrew and Jennifer from AIM, for which Ruzz will provide the
    photography, Kelly Nishimoto the bridal gown, and Anna Yepremyan the
    flowers.

    Casitas Studios is a dynamic place where members of a small primarily
    ethnic community are working, playing, and in some cases even living
    together for the common purpose of creative expression. As Roger
    indicated, many of the Armenian tenants have an ingrained sense of
    old-world thinking modified by a modern outlook, a combination which
    makes their collaborative efforts . . . effortless. Perhaps it is
    precisely this intersection of rural Armenian village and urban
    Atwater Village that one finds so compelling in these resident
    artists.


    All Rights Reserved: Critics' Forum, 2008. Exclusive to the Armenian
    Reporter.

    Jean Murachanian is a Ph.D. candidate in Art History at UCLA.

    You can reach her or any of the other contributors to Critics' Forum
    at [email protected]. This and all other articles published
    in this series are available online at www.criticsforum.org. To sign
    up for a weekly electronic version of new articles, go to
    www.criticsforum.org/join. Critics' Forum is a group created to
    discuss issues relating to Armenian art and culture in the Diaspora.
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