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Scene And Heard: The Rise Of Slavic Rap

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  • Scene And Heard: The Rise Of Slavic Rap

    SCENE AND HEARD: THE RISE OF SLAVIC RAP
    John McDonnell

    Guardian
    Monday 15 December 2008
    UK

    I thought Armenian rapper Kro was one of a kind when I wrote about
    him recently. But he's just the tip of the iceberg

    I recently stumbled across the above video of an Armenian rapper
    based in LA called Kro. As you can see, he uses lots of the cliched US
    gangsta rap iconography like fast cars, wads of cash, his mean-looking
    "homies" throwing up gang signs, plus that age-old rap video trick
    of superimposing yourself next to a large purring lion, which you
    are pretending to stroke.

    Deciding that Kro was simply too special to have any counterparts,
    I assumed his broken English gangsta rap with traditional eastern
    European folk crooning shtick had to be an anomaly - until I received
    an email from a journalist called Charlie Amter, who writes about
    nightlife for the Los Angeles Times. After seeing the video on my
    blog, Charlie wrote to inform me that there was a thriving Armenian
    rap scene in and around LA: "Los Angeles is rife with Armenian rappers
    who have dreams of 'making it' in the rap game. Some have aspirations
    of crossing over into the commercial realm, but most seem content
    to make videos that are passed around on YouTube, giving them fame
    in their communities. Armenians who grew up here have adopted rap
    as their music, just as easily as they have adopted the Los Angeles
    Lakers as =0 D their team."

    There are an estimated 1.5 million Armenians living in the United
    States and it is in California where you will find the largest
    Armenian-American population. Heavily influenced by the historic west
    coast hip-hop scene, young Armenian men in and around LA have been
    making their own form of gangsta rap. The heart of this scene resides
    in Armenian hotspots like the San Fernando Valley and Glendale -
    a city where over a quarter of the residents are Armenian.

    I have been trawling the internet in search of some of these rappers -
    and have discovered they are almost all as, erm, unique as Kro. The
    standouts include Apostles - a pair of identikit cannabis-adorned
    doo-rag-wearing rhymers who make PJ & Duncan look like Biggie and 2Pac,
    a dense-looking chap called 118 whose cheesy rhymes are apparently
    supposed to be sexy, and Super Sako, who looks like a cross between
    DJ Khaled and Airport's Jeremy Spake, but is the most accomplished
    lyricist out of all the Armenian rappers I have encountered (ie he
    is able to string a slightly coherent sentence together).

    The homoeroticism in lots of US rap is also evident but these
    Armenian guys often take it to another level. Some of the videos are
    so overtly camp it's hard to tell whether or not they are spoofs. But,
    according to Charlie Amter, they are deadly serious about their music:
    "Laugh at your own peril - everyone in LA knows that Armenian guys
    are not to be fucked with.

    These guys may not have the best flows, but you can bet they know
    how to fight. And some have guns."

    LA also has a large Russian contingent who appreciate some home grown
    eastern European rap. Last year a Kiev-born promoter flew Russia's
    most popular rapper, the award-winning Seryoga (accolades include
    a gong for best ringtone at the MTV Russia Music Awards in 2005,
    don't you know), from Moscow to play a packed club on Sunset Strip,
    with tickets starting at $60.

    Seryoga, who has been labelled the Slavic Eminem, has sold well
    over a million albums worldwide and his debut LP went to number one
    in countries including Belarus, Ukraine and Russia. Just like his
    Armenian pals, Seryoga also has a penchant for some traditional folk
    instrumentation and crooning in his tracks. His music is much more
    agreeable though. In fact, I've repeatedly found myself humming
    the tune to songs like Gangsta No More over the past couple of
    days. There's something about a wistful accordion riff which strangely
    complements a polished hip-hop beat.

    With the help of an excellent blog about lesser-known hip-hop scenes
    from around the world (hiphopattack.blogspot.com), I've come across
    lots more rappers from eastern and central Europe. None so far has
    been able to match the affecting and thought-provoking rhymes of
    Hungarian rapper and YouTube sensation Speak (you know, the "Yeah,
    c'mo n" guy) but there are a few with unusual names.

    Broken English, it seems, isn't just used in the rhymes of these
    rappers.

    One Russian artist called Ligalize has decided to adopt the
    bastardised language for his moniker, and I'm hoping it was a case
    of something being lost in translation with the unfortunately-titled
    Polish MC Molesta. It's not all bad names and silly pseudonyms,
    though. Bulgarian rapper Mechoka has the best hip-hop album title
    I have ever encountered: Gladna Mechka Horo Ne Igrae (Hungry Bear
    Doesn't Dance).

    As talented and respected a rapper as Lil Wayne may be, I don't think
    he'll be coming up with a title to match this any time soon.
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