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  • Down With The System

    DOWN WITH THE SYSTEM
    Kyle O'shea

    University at Buffalo - The Spectrum
    http://spectrum.buffalo.edu/article.php?i d=36098
    March 26 2008
    NY

    Normally the only screaming heard at a rock concert is from the
    righteous audience, destroying their vocal cords singing for the band,
    not political change. That is, unless you're the politically inclined
    rock-metal band System of a Down, which serves as the celebrity center
    of the recent documentary Screamers.

    Throughout the film, directed by Carla Garapedian, lead System singer
    Serj Tankian goes as far as to publicly confront the former Speaker
    of the House, Dennis Hastert. Though the Speaker is disinclined to
    speak, Tankian is unperturbed.

    Known primarily as a band that makes people kick heads in before
    grabbing a picket sign, they have a reason for their passion. Every
    member of the band is of Armenian descent, and each is the grandson
    of a man who survived the Armenian Genocide of 1915.

    The Grammy award-winning band condemns the US for refusing to publicly
    acknowledge the genocide due to its temperamental relations with
    Turkey. Screamers shows the Turkish government's efforts to suppress
    the existence of such events through forms of propaganda.

    Live performances of the band playing around the world are interspersed
    with an ethereal montage of various victims of genocide.

    Images are shown of the Holocaust, Cambodia, Bosnia, Rwanda,
    and Darfur.

    The camera work of the band's performances is unnecessarily
    erratic. Too many shots are from bad angles and sometimes the lights
    just blind the audience. At one point the filmmakers cut out from
    System performing in one country, flashing over a brief educational
    intermission before returning to the band playing the same exact song
    elsewhere, which is confusing.

    They do, however, show plenty of the group's more intense and prevalent
    songs, including "BYOB" and "Holy Mountain." Their performance is as
    intense as it is riveting, and if the documentary doesn't shatter some
    misconceptions and open eyes, then check the pulse of the audience.

    "This band didn't start to change the world. This band didn't start to
    change your mind. This band just started to make you ask questions,"
    said lead guitarist Daron Malakian.

    In order to accomplish this goal, the audience is exposed to personal
    accounts of both the drummer John Dolmayan and Tankian.

    Bassist Shavo Odadjian has no family members left alive; he is the
    last branch of his family tree. Tankian still has his grandfather who
    is in a retirement home. System's lead singer interviews his elder,
    including a tragic home video of the man's testimonial.

    Some of the stories told are plain horrifying: children's heads being
    bashed together, and a clip of System organizing a protest in front
    of a congressman's office in Washington, DC, tallying the lives lost
    to the multitude of genocides. The documentary closes with a haunting
    series of the bands actual ancestors, most of whom are deceased.

    As well as performing exciting shows, System of a Down is actively
    involved in educating people about events that are rarely discussed in
    general schooling. They hand out packets of information about racial
    cleansing to their fans, which are addressed to the kids' teachers.

    Fans love the fact that the group is multifaceted, and not just out
    to make some dollars. At the beginning of the film, people entering
    the film's testimonials explain their reason for loving the band,
    and their efforts towards enlightenment.

    Screamers pay homage to the victims of genocide while attacking the
    governments that allow racial cleansing to continue. Though it is
    not flashy, it is the brutal simplicity that proves to be effective.

    They have no need to dress up their message; they know the truth of
    it is provocative enough as long as people are aware of it.
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