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Seeing Man Through A Mountain - Ararat By Frank Westerman

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  • Seeing Man Through A Mountain - Ararat By Frank Westerman

    SEEING MAN THROUGH A MOUNTAIN - ARARAT BY FRANK WESTERMAN
    John McCrystal

    New Zealand Herald
    http://www.nzherald.co.nz/entertainment/new s/article.cfm?c_id=1501119&objectid=10536237
    3 :59AM Sunday Oct 05, 2008
    New Zealand

    Most of the ancient peoples of the world tell stories of a great flood,
    a time when the known world was inundated in what seemed a great act
    of cleansing by God (or the gods, depending on which civilisation is
    telling the story). And many of these stories further contain reference
    to a select group of human beings whose patriarch is tipped off by
    the god/gods just before the yanking of the celestial chain, and who
    manage to preserve themselves and breeding pairs of the more desirable
    animals in order to re-stock creation once the waters have receded.

    Dutch writer Frank Westerman grew up with the biblical story of Noah
    and the flood, brought up under the strict doctrines of the Dutch
    Reformed Church. And he nearly had first-hand experience of death by
    water when, as a child, he was swept away by the portentously named
    Ill River while crossing the riverbed, just as the control gates of
    a dam upstream were opened.

    Later in life, he lived for a time in sight of Mt Ararat (the supposed
    resting-place of Noah's Ark), and conceived a desire to climb it. The
    precise reason for his quest was unclear, even to himself. Ararat
    is a potent symbol of the Christian religion, the site of a covenant
    between God and the elect that he will save them, and the place from
    which Christianity supposes all humanity to have arisen, following
    the delivery of Noah's family from the Deluge. Westerman has, he
    tells us, fallen away from religion since childhood. His faith in
    reason has eclipsed his religious faith, although there is a sense,
    as this superb travel memoir progresses, that he is still susceptible
    to religion - to the answer it supplies to the nagging question as
    to why he was spared from the waters of the Ill.

    At the foot of Ararat, he meets a pair of Russian Ark-seekers, devout
    believers in the Bible and its stories who are seeking traces of the
    vessel on the mountain's inhospitable slopes.

    Initially inclined to be disparaging, Westerman recognises in this
    mildly pitiable pair the same impulse that has brought him hither. He
    may not be seeking the Ark, but he is conscious that, like them,
    he is a seeker.

    This book interweaves the many, many threads of Westerman's monumental
    research with the narrative of his attempt on the mountain's
    summit. He has collected some gems along the way - the story of the
    19th century amateur archaeologist who was convinced he had found the
    fossil skeleton of a human sinner drowned in the Deluge; the curious
    imprecision of biblical exegesis that gives rise to the conviction
    that Ararat is the Ark's resting place anyway (the Bible actually
    refers to "the mountains of Ararat", and Ararat is derived from the
    Assyrian word for Armenia, which covered far more territory than it
    does today); the dispute among geologists over whether the volcanic
    Ararat is actually extinct or whether it last erupted in 1840; the
    curious Dutch adventure sport of "mudwalking".

    And Westerman's own experiences in preparing to climb the mountain
    have resonances in the mountain's place in history and mythology:
    it lies near the borders of Turkey, Iran and Armenia, and is of
    strategic significance in a troubled part of the world. It is dear
    to the hearts of Turks, Kurds, Armenians, Christians and Muslims
    alike. It is bound to be a lightning rod for political trouble. And
    Westerman's difficulties with Turkish bureaucracy in obtaining a sport
    visa to climb the mountain echo the various superstitious sanctions
    that have forbidden summit assaults for much of its history.

    This is a beautiful, extended essay. It is a writer of rare ability
    indeed who can show you a portrait of man in the picture of a mountain.
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