Tweet
SADDLEBACK WIND ENSEMBLE PERFORMS AT MCKINNEY THEATER
Bill Bridgeford
Lariat Saddleback College
10/14/08
Irvine Valley
On Fri. evening, the Saddleback College Wind Ensemble performed to
a nearly full house at the McKinney Theater, conducted by Carmen
Dominguez, head of the musical theater studies program. The concert
offered an upbeat selection of compositions that were as varied in
age as the audience and musicians themselves. It was a testament to
the fact that music, and the love of it, truly does transcend all
ages and backgrounds.
The performance was, for the most part, performed with precision and
verve. There were a few rough patches, but they in no significant way
diminished the enthusiasm of the players, the warmth of the conductor
or the enjoyment of the audience.
The program featured works composed as early as the 18th century to
compositions penned as recently as the last decade. For as large of a
time span that this encompasses, the program was remarkably seamless
and was a perfect immersion for both long time listeners and neophytes
of this genre of music.
"Be Glad Then, America," composed by William Schuman (1910-1992), which
incorporates elements of the William Billings composition "Fast Day"
(1746-1800), must have certainly served as an inspiration for the
great Aaron Copeland (1900-1990). "Esprit de Corps" marks both the
pride and the solemninity that is the life of our nations' veterans.
"Tempered Steel," as the program remarked, "is a celebration of
our triumph over [the] unavoidable hardships and obstacles that we
regularly face." It was a most apropos selection.
Dominquez is certainly a most engaging conductor, and it was enjoyable
and educational to hear and see her animation as she provided the
audience with anecdotal information and light banter between pieces.
Her love of music and the pride which she has in the ensemble members
were palpable. No less evident was the discipline with which she
conducts both herself and the musicians under her tutelage.
Even the audience was gently admonished when they inadvertently
interrupted the second movement of "Armenian Folk Song and Dance"
with an applause.
Quite frankly, it was the least pretentious, most engaging performance
of this type.
The only regret was that this was a short program. More pieces would
have been much enjoyed.
Bill Bridgeford
Lariat Saddleback College
10/14/08
Irvine Valley
On Fri. evening, the Saddleback College Wind Ensemble performed to
a nearly full house at the McKinney Theater, conducted by Carmen
Dominguez, head of the musical theater studies program. The concert
offered an upbeat selection of compositions that were as varied in
age as the audience and musicians themselves. It was a testament to
the fact that music, and the love of it, truly does transcend all
ages and backgrounds.
The performance was, for the most part, performed with precision and
verve. There were a few rough patches, but they in no significant way
diminished the enthusiasm of the players, the warmth of the conductor
or the enjoyment of the audience.
The program featured works composed as early as the 18th century to
compositions penned as recently as the last decade. For as large of a
time span that this encompasses, the program was remarkably seamless
and was a perfect immersion for both long time listeners and neophytes
of this genre of music.
"Be Glad Then, America," composed by William Schuman (1910-1992), which
incorporates elements of the William Billings composition "Fast Day"
(1746-1800), must have certainly served as an inspiration for the
great Aaron Copeland (1900-1990). "Esprit de Corps" marks both the
pride and the solemninity that is the life of our nations' veterans.
"Tempered Steel," as the program remarked, "is a celebration of
our triumph over [the] unavoidable hardships and obstacles that we
regularly face." It was a most apropos selection.
Dominquez is certainly a most engaging conductor, and it was enjoyable
and educational to hear and see her animation as she provided the
audience with anecdotal information and light banter between pieces.
Her love of music and the pride which she has in the ensemble members
were palpable. No less evident was the discipline with which she
conducts both herself and the musicians under her tutelage.
Even the audience was gently admonished when they inadvertently
interrupted the second movement of "Armenian Folk Song and Dance"
with an applause.
Quite frankly, it was the least pretentious, most engaging performance
of this type.
The only regret was that this was a short program. More pieces would
have been much enjoyed.