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ATOM EGOYAN'S TEENAGE SON PROVIDES IMPETUS FOR LATEST FILM, 'ADORATION'
The Canadian Press
Sept 9 2008
TORONTO
TORONTO -- Acclaimed Canadian filmmaker Atom Egoyan says watching his
14-year-old son grow up in the age of the Internet was a big impetus
for his latest feature "Adoration," about a student who tells a lie
that spins out of control online.
"I think a lot of the film was born out of this idea of our son
reaching a point - and then reflecting back on who I was at that age,"
Egoyan said in an interview at the Toronto International Film Festival,
where the thought-provoking drama is screening.
"Certainly at that age, that's when I got really involved in high
school drama and I began to be consumed by making up these narratives
... If I was that kid now? With the Internet, it would be irresistible
to kind of not use that medium."
"Adoration," written, directed and produced by Egoyan, stars Devon
Bostick as a Toronto teen named Simon who is encouraged by his French
teacher (Arsinee Khanjian, Egoyan's wife) to read a terrorism news
story to his class and pretend that he is a key part of it.
The story Simon tells in the film is inspired by a real-life 1986
headline about a Jordanian man who put a bomb in the luggage of
his pregnant Irish girlfriend before she attempted to board an El
Al flight.
In the film, Simon pretends that he was the unborn child.
"That story, when it first came out ... it was the first time I
realized that a terrorist could abstract another human being to that
extent, especially a loved one who's carrying his own child," said
Egoyan, who is of Armenian descent and was born in Cairo but raised
in Victoria, B.C., and Toronto.
Students who hear of Simon's alleged past, not knowing it isn't real,
go home to tell their parents and soon the entire community is engaged
in heated discussions in online webcam chat rooms about the tale.
The ensuing firestorm of deceit forces Simon to reconcile his
feelings about the death of his parents, played in flashbacks by
Rachel Blanchard and Noam Jenkins.
Interwoven throughout the film are the struggles of Simon's uncle,
deftly played by Scott Speedman, as well as issues of racism, cultural
ignorance, intolerance, humanizing terrorist figures and how technology
affects the way we communicate.
"I used to think 20 years ago when I made these films dealing with
satellite communications that we would lose our sense of humanity and
that we would kind of distance ourselves from each other, but in fact
that's not really true," said Toronto-based Egoyan, who touched on
some of the same themes two decades ago with the film "Speaking Parts."
"In fact, it's saturated us with a degree of intimacy we could have
never imagined."
Arshile, Egoyan's son, is a bit younger than Simon, who is part of
a generation where texting, digital cameras and cellphones are near
necessities, said the director.
To learn how teens are using Internet communication, Egoyan held
workshops with Toronto high school students and said "it was shocking
how immediate and easy it was for them to create these personas"
online.
"It's not so schizophrenic to have these different personalities for
them," said Egoyan, who earned Oscar nominations for directing and
writing the screenplay for 1997's "The Sweet Hereafter."
"Adoration" earned Egoyan the Ecumenical Jury Prize, which honours
directing, at the Cannes Film Festival in May, an honour that brought
tears to his eyes.
"I was pretty emotional," said Egoyan.
"It's difficult for people to understand how overwhelming that
event is. I've been there so many times but each time it's just,
it's so overwhelming, it's like there's so much work to do and you're
exposing your film to the entire world ... So when you get a prize
like that, especially when it's worded so beautifully and it completely
understands your film ... I just felt really stirred by that."
"Adoration" is to be released in theatres in February.
The Canadian Press
Sept 9 2008
TORONTO
TORONTO -- Acclaimed Canadian filmmaker Atom Egoyan says watching his
14-year-old son grow up in the age of the Internet was a big impetus
for his latest feature "Adoration," about a student who tells a lie
that spins out of control online.
"I think a lot of the film was born out of this idea of our son
reaching a point - and then reflecting back on who I was at that age,"
Egoyan said in an interview at the Toronto International Film Festival,
where the thought-provoking drama is screening.
"Certainly at that age, that's when I got really involved in high
school drama and I began to be consumed by making up these narratives
... If I was that kid now? With the Internet, it would be irresistible
to kind of not use that medium."
"Adoration," written, directed and produced by Egoyan, stars Devon
Bostick as a Toronto teen named Simon who is encouraged by his French
teacher (Arsinee Khanjian, Egoyan's wife) to read a terrorism news
story to his class and pretend that he is a key part of it.
The story Simon tells in the film is inspired by a real-life 1986
headline about a Jordanian man who put a bomb in the luggage of
his pregnant Irish girlfriend before she attempted to board an El
Al flight.
In the film, Simon pretends that he was the unborn child.
"That story, when it first came out ... it was the first time I
realized that a terrorist could abstract another human being to that
extent, especially a loved one who's carrying his own child," said
Egoyan, who is of Armenian descent and was born in Cairo but raised
in Victoria, B.C., and Toronto.
Students who hear of Simon's alleged past, not knowing it isn't real,
go home to tell their parents and soon the entire community is engaged
in heated discussions in online webcam chat rooms about the tale.
The ensuing firestorm of deceit forces Simon to reconcile his
feelings about the death of his parents, played in flashbacks by
Rachel Blanchard and Noam Jenkins.
Interwoven throughout the film are the struggles of Simon's uncle,
deftly played by Scott Speedman, as well as issues of racism, cultural
ignorance, intolerance, humanizing terrorist figures and how technology
affects the way we communicate.
"I used to think 20 years ago when I made these films dealing with
satellite communications that we would lose our sense of humanity and
that we would kind of distance ourselves from each other, but in fact
that's not really true," said Toronto-based Egoyan, who touched on
some of the same themes two decades ago with the film "Speaking Parts."
"In fact, it's saturated us with a degree of intimacy we could have
never imagined."
Arshile, Egoyan's son, is a bit younger than Simon, who is part of
a generation where texting, digital cameras and cellphones are near
necessities, said the director.
To learn how teens are using Internet communication, Egoyan held
workshops with Toronto high school students and said "it was shocking
how immediate and easy it was for them to create these personas"
online.
"It's not so schizophrenic to have these different personalities for
them," said Egoyan, who earned Oscar nominations for directing and
writing the screenplay for 1997's "The Sweet Hereafter."
"Adoration" earned Egoyan the Ecumenical Jury Prize, which honours
directing, at the Cannes Film Festival in May, an honour that brought
tears to his eyes.
"I was pretty emotional," said Egoyan.
"It's difficult for people to understand how overwhelming that
event is. I've been there so many times but each time it's just,
it's so overwhelming, it's like there's so much work to do and you're
exposing your film to the entire world ... So when you get a prize
like that, especially when it's worded so beautifully and it completely
understands your film ... I just felt really stirred by that."
"Adoration" is to be released in theatres in February.