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British Council And GACC Help Georgian And Armenian Museum Staff Dev

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  • British Council And GACC Help Georgian And Armenian Museum Staff Dev

    BRITISH COUNCIL AND GACC HELP GEORGIAN AND ARMENIAN MUSEUM STAFF DEVELOP THEIR PROFESSIONAL SKILLS

    The Messenger
    July 15 2009
    Georgia

    >From 13-16 July 2009 a workshop for 20 Georgian and Armenian museum
    staff and crafts people is being held at the Georgian Arts and Culture
    Centre (GACC). The focus of this 4-day residency is 'new ways of making
    cultural industries popular - how we can turn cultural industries
    into an economically profitable area of activity.' The participants
    of the residential workshop are discussing the educational value of
    the museum as an institution and museum activities, including the
    sale of products at the museum shops.

    Two UK experts are sharing their experience and leading the training
    of 20 museum staff and crafts people from 6 Georgian and Armenian
    museums. As a result of the workshop, new pieces of craftwork will be
    created using cultural heritage models. The Georgian participants are
    the Kutaisi State Museum, Batumi Archaeological Museum, the Museum
    of Dolls and the Zakaria Paliashvili House Museum in Tbilisi. From
    Armenia, representatives of the National Gallery of Armenia, the
    Armenian Museum of History, Erebuni Museum and the Wood Carving Museum
    are taking part.

    Selina Fellows, a leading UK consultant in income generation and
    marketing in the cultural heritage sector and Timothy Mason, Head
    of the Arts & Heritage Consultancy and a European Council expert on
    cultural heritage and museum management issues in the South Caucasus,
    are the facilitators of the workshop.

    The GACC project which this workshop forms part of, called 'Development
    of Cultural Industries in the South Caucasus Countries: Introduction
    to the UK Experience in Product Development, Business Management
    and Marketing,' was the only winner of a Creative Collaborations
    grant in the South Caucasus, thus becoming a part of a large scale
    South-East European project known as Creative Collaboration. The
    project focuses on the cooperation between museums and producers
    in the area of cultural heritage and traditional crafts. The aim of
    the project is to exchange creative experience on the one hand and
    generate income for cultural institutions and producers on the other.

    Creative Collaboration is a major British Council arts project that
    aims to increase the numbers of artists working in collaboration
    with other countries in South East Europe and the UK. The overall
    aim of all Creative Collaboration projects is to enrich the cultural
    life of Europe and its surrounding countries and to build trust and
    understanding across communities by generating dialogue and debate.
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