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  • Check out 'Karsh-Look'

    Korea Herald, S. Korea
    March 8 2009


    Check out 'Karsh-Look'


    If you want to be a great photographer, maybe you need the guts to
    snatch a lighted cigar from the lips of a prime minister.

    Yousuf Karsh, considered one of the world's greatest photographers,
    did. Barely 33 at the time, the Canadian photographer of Armenian
    heritage snatched a cigar out of Winston Churchill's mouth to record
    him on the day he had addressed the Canadian Parliament.

    "Instinctively, I removed the cigar. At this the Churchillian scowl
    deepened, the head was thrust forward belligerently, and the hand
    placed on the hip in an attitude of anger," Karsh reminisced in his
    book, "Faces of Our Time."

    Karsh pressed on the camera shutter. The photo captured Churchill and
    Britain of the time perfectly: defiant and indomitable. Naturally, the
    British prime minister was furious, but later said to him, "You can
    even make a roaring lion stand still to be photographed," allowing
    Karsh to take one more photo.

    That is how the legendary photograph "The Roaring Lion" was taken. It
    was sold to many reputable magazines, and Karsh soon rose to
    stardom. Since then and throughout the 60-year career that continued
    until his death in 2002, Karsh was referred to as the portrait
    photography master.

    To commemorate the master's 100th birthday, about 70 of his
    representative works, including the portrait of Churchill are
    displayed at the exhibition "Faces of Our Time," at the Hangaram Art
    Museum at the Seoul Arts Center in southern Seoul.

    The exhibition has three divisions. The first part, "Portraits," is
    the main one. Leading figures of the 20th century like Albert
    Einstein, Mother Teresa, Audrey Hepburn, Ernest Hemingway, Helen
    Keller, Pablo Picasso and Jacqueline Kennedy posed for Karsh.

    While most photographers at that time had the guests visit their
    studios, Karsh packed up his cameras to visit their homes or
    offices. That way, he could adequately arrange the backgrounds using
    the subject's personal belongings or space to better express their
    characters.

    "He always went through in-depth research about his subjects
    beforehand, to create photos that reveal not only the subjects' looks
    but also their occupations and personalities," said exhibition curator
    Ahn Sun-young.

    What is more amazing is that all his masterpieces took three shots at
    the most, many just a single shot.

    "The photos are so delicate that it looks like they have been
    retouched by Photoshop, which wasn't even there then. Karsh printed
    the original vintage films much more delicately than we handle digital
    films now," Ahn said.

    Karsh was especially brilliant at using light. He would deliberately
    darken one-quarter of the photo to make the subject appear more
    dramatic. This unique style is known as the "Karsh-Look," and is still
    favored by many photographers today.

    In the other two parts of the exhibition, viewers can see the
    photographer's earlier works, featuring nude models and Canada's
    postwar years.

    The Karsh exhibition runs through May 8. Tickets are 8,000 won for
    adults, 7,000 won for adolescents and 6,000 won for kids. For more
    information, call 1544-1682 or visit www.karshkorea.com

    By Park Min-young
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