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VERDI CHORUS TO PRESENT FALL CONCERT NOVEMBER 21/22
Jenine Baines
California Chronicle
15 October 2009 15:27:58
When most people think of going to the opera, there's a good chance
they'll think of productions by Giuseppe Verdi, Giacomo Puccini or
Georges Bizet. On Saturday, November 21 at 7:30 p.m. and Sunday,
November 22 at 4:00 p.m., opera fans - or those who are curious to
learn more about the art form without the investment of time or money
that often accompanies attending a full production - can hear famous
choruses from works by all three composers when the Verdi Chorus
presents its annual Fall Concert.
On the program, which will take place at First United Methodist Church
in Santa Monica, are opera choruses from The Pearl Fishers by Bizet,
Verdi's Giovanna d'Arco and Puccini's La Boheme, plus operettas
by Sigmund Romberg and Victor Herbert. Soprano Ani Maldjian, tenor
Bradley Wisk and baritone Museop Kim will appear as guest artists.
"The Verdi Chorus is the only chorus of its kind - an ensemble that
focuses solely on performing works written for the opera chorus -
in the Los Angeles area," says Music Director and Founder Anne Marie
Ketchum, a soprano highly regarded not only in the world of opera
but contemporary art music and vocal chamber music. "In fact, we're
named the Verdi Chorus because Verdi is an example of a composer who
loved the chorus. He used it a lot and was a master at writing for it."
At the Fall Concert, audiences will hear excerpts from one of Verdi's
earlier works Giovanna d'Arco, or Joan of Arc - a work infrequently
performed. "But it is chock full of gorgeous music," says Ketchum. "I
kept getting distracted by music from the opera that we're not going
to do, it's such a rich work. We'll definitely revisit Giovanna d'Arco
at future performances."
The chorus will also perform the full Second Act Finale from Bizet's
The Pearl Fishers as well as excerpts from the Second Act of La Boheme
by Puccini, with soprano Ani Maldjian playing the role lirtatious
singer Musetta. "The chorus has a very strong presence throughout both
operas," Ketchum explains. "The Pearl Fishers is probably Bizet´s
most successful opera aside from Carmen...and for good reason, as
you´ll hear when Bradley and Museop perform the famous duet ´Au
fond du Temple Saint´. "It´s beautiful!"
Future plans for the Verdi Chorus include taking part in The Ring
Festival L.A. On May 1 and May 2, 2010 the chorus will present Wagner
Vs Verdi: Opposing Roads to Greatness. "Verdi and Wagner lived at the
same time but never met," says Ketchum. "Audiences were often militant
about which composer they liked more. You were either a Wagner-lover
or a Verdi lover."
The chorus, however, is not taking part in that old debate. "We´re
the Verdi Chorus and it´s the Wagner Ring Festival," Ketchum observes
with a smile.
To order tickets for the Fall Concert or for more information about the
Verdi Chorus, call 310.684.3024 or visit www.verdichorus.org. Ticket
prices are as follows: $40 reserved; $30 general admission; $25
seniors: $10 students. The First United Methodist Church is located
at 1008 11th Street in Santa Monica.
ABOUT THE GUEST ARTISTS
Soprano Ani Maldjian
Armenian-American Soprano Ani Maldjian has been described as a
"remarkable soprano", with a voice that is "richly mature and full
of lyric nuance", and her singing "elegant, commanding, brilliant,
fresh and strong...definitely a name to watch as she rises through
the ranks of young sopranos."
This 2009-2010 season, Maldjian makes her debut with West Bay Opera
as Musetta in La Boheme and with Townsend Opera as Valencienne in The
Merry Widow. She returns to Opera Santa Barbara in November, as Mabel
in The Pirates of Penzance. Later in the spring, she returns to Long
Beach Opera for a fourth season, as Madame Mao in Nixon in China, and
in the summer, returns to Sun Valley, Idaho, for a concert with Sun
Valley Opera. Future engagements include a return to Seattle Opera,
and her debut with Opera in the Heights.
Maldjian has performed ov ta, Lauretta, Serpina, Cleopatra, Adele,
Despina and her Armenian title roles as Zvart, Armine and Zemire,
premiered in Los Angeles. With a great passion and enthusiasm for 20th
and 21st century music, she has also performed the title roles in The
Diary of Anne Frank and The Cunning Little Vixen with Long Beach Opera,
Fire/Princess/Nightingale in Ravel´s L´enfant et les sortileges
with Seattle Opera´s YAP, Princess (#1) in Susa´s Transformations
with the Merola Program, among others. She also created the role of
Jane in the world premiere of Wet by Anne LeBaron at the Walt Disney
Center in Los Angeles, with critical acclaim.
Her concert credits include Hatzis´ Light from the Cross with the
Camerata Orchestra in Athens, Greece, Rossini´s Stabat Mater with
the Sacramento Choral Society and numerous recitals and aria concerts
throughout California and Hawaii, with companies such as the Hoku
Concert Series, Southcoast Symphony Orchestra, Opera Associates of
Los Angeles, Opera Reading Club of Hollywood, Long Beach Festival,
Armenian American Medical Society, Mozart Live on the Radio, Palm
Springs Opera Guild, and Merola Opera.
Maldjian, who earned a Bachelor of Fine Arts degree from the
California Institute of the Arts and completed the Masters Program
at The California State University of Northridge, received additional
opera training at Seattle Opera´s Young Artist Program (06-08), San
Francisco Opera´s Merola Program (06/07), Music Academy of the West
(04/05), Aspen Music Festival (03), and OperaWorks (02). She was the
First Place Winner of the Western Region Metropolitan Opera National
Council Auditions in 2005.
Tenor Bradley Wisk
Bradley Wisk studied with Giorgio Tozzi at Indiana University,
singing the baritone roles of St. Brioche in The Merry Widow and the
Bouncer/Politician in The Ballad of Baby Doe. At the Manhattan School
of Music, he sang the role of the Doctor in Vanessa before switching
to tenor roles, singing Tinca in Il Tabarro and Gherardo in Gianni
Schicchi. He sang Goro in Madama Butter ly at Martina Arroyo´s 2006
Prelude to Performance program and completed his Masters Degree in
2007. He then spent the 2007 and 2009 summer seasons at Utah Festival
Opera, where he covered the roles of Tony in West Side Story and Don
José in Carmen.
A recipient of scholarships from both Indiana University and the
Manhattan School of Music, Wisk was recently given awards by the
Performing Arts Scholarship Foundation in Santa Barbara and the Opera
Buffs in Los Angeles.
Baritone Museop Kim
Museop Kim has appeared at Wolf Trap Opera, Glimmerglass Opera,
Juilliard Opera Center, Aspen Music Festival, Manhattan School of
Music Opera Theatre and the Academy of Vocal Arts. Roles the baritone
has performed include Dandini from La Cenerentola, Aeneas in Dido
and Aeneas, Escamillo in Carmen, Voltore in John Musto´s Volpone,
Raimbaud from Le Comte Ory, Enrico in Lucia di Lammermoor, Gugielmo,
in Cosi fan tutte, the title role of Don Giovanni, Il Conte in Le
Nozze di Figaro, Marcello in La Boheme, Ford in Falstaff, Simeon in
L´Enfant prodigue, and Frank in Puccini´s Edgar.
In addition, Kim has won several awards throughout Europe as well
as the U.S. including the Liederkranz Foundation Competition,
Aspen Concerto Competition, Leopoldschlosskron Singing Competition
in Salzburg, Austria, Metropolitan Opera National Council New York
District, Licia Albanese Puccini Foundation, FGO Singing Competition,
and Washington International Singing Competition.
Upcoming performances include an appearance in Haydn´s Il mondo della
Luna at Gotham Chamber Opera and in the world premiere of Amelia at
Seattle Opera.
ABOUT THE VERDI CHORUS
Twenty-seven years ago, Verdi, Ristorante di Musica in Santa Monica
offered its customers far more than dinner, drink and dessert. As its
name implied, music figured prominently on the menu...and not just as
background music either. Young professional opera singers performed -
among them, soprano Anne Marie Ketchum.
Shortly after the restaurant opened, owners Sheila and Bernie Segal
found a way tron who had ever dreamed of singing onstage was invited
to become part of an opera chorus, which would also perform at the
restaurant. Meanwhile, Ketchum, who also held a degree in choral
conducting, agreed to teach and guide the ensemble as Music Director
of the chorus.
The Verdi Chorus was an instant success and, in 1991, after
Verdi, Ristorante di Musica closed, reorganized as a nonprofit
corporation. The group held auditions, began to restrict its membership
and focus on the quality of its sound. Today, the Verdi Chorus - the
only ensemble in Southern California devoted solely to performing
great choruses from opera - is still under the direction of Anne
Marie Ketchum and, under her guidance, has mastered a repertoire of
nearly 200 choruses. The Chorus has also taken part in a full-scale
production of Cavalleria Rusticana, and served as the chorus for
the USC production of La Clemenza di Tito. Future plans include a
performance in Pasadena, as part of the LA Opera "Ring Festival"
in April 2010.
Over the years, more than 60 top opera professional singers have
performed with the Verdi Chorus, including soprano Shana Blake Hill;
mezzo sopranos Cynthia Jansen and Suzanna Guzmán; tenors Daniel
Montenegro, Roberto Gomez, Gregorio Gonzalez and Robert MacNeil;
baritone Nmon Ford; and bass-baritones Dean Elzinga and Cedric
Berry. The Chorus also supports the Metropolitan Opera National
Council by offering performance opportunities to the Metropolitan
Western Region audition finalists.
"Our guest artist program extends to our section leaders," adds
Ketchum, "who are fine singers in their own right and add a richness
and professionalism to our sound."
Currently, the Verdi Chorus numbers over 50 voices, with virtually
every profession represented - artists, scientists, dentists,
doctors, lawyers, teachers, homemakers, architects, accountants,
business owners, and network administrators.
"The chorus members are people who have one thing in common, a
true love of opera," says Tom Redler, retired dentist and th ´s
president. "Plus they can sing."
From: Emil Lazarian | Ararat NewsPress
Jenine Baines
California Chronicle
15 October 2009 15:27:58
When most people think of going to the opera, there's a good chance
they'll think of productions by Giuseppe Verdi, Giacomo Puccini or
Georges Bizet. On Saturday, November 21 at 7:30 p.m. and Sunday,
November 22 at 4:00 p.m., opera fans - or those who are curious to
learn more about the art form without the investment of time or money
that often accompanies attending a full production - can hear famous
choruses from works by all three composers when the Verdi Chorus
presents its annual Fall Concert.
On the program, which will take place at First United Methodist Church
in Santa Monica, are opera choruses from The Pearl Fishers by Bizet,
Verdi's Giovanna d'Arco and Puccini's La Boheme, plus operettas
by Sigmund Romberg and Victor Herbert. Soprano Ani Maldjian, tenor
Bradley Wisk and baritone Museop Kim will appear as guest artists.
"The Verdi Chorus is the only chorus of its kind - an ensemble that
focuses solely on performing works written for the opera chorus -
in the Los Angeles area," says Music Director and Founder Anne Marie
Ketchum, a soprano highly regarded not only in the world of opera
but contemporary art music and vocal chamber music. "In fact, we're
named the Verdi Chorus because Verdi is an example of a composer who
loved the chorus. He used it a lot and was a master at writing for it."
At the Fall Concert, audiences will hear excerpts from one of Verdi's
earlier works Giovanna d'Arco, or Joan of Arc - a work infrequently
performed. "But it is chock full of gorgeous music," says Ketchum. "I
kept getting distracted by music from the opera that we're not going
to do, it's such a rich work. We'll definitely revisit Giovanna d'Arco
at future performances."
The chorus will also perform the full Second Act Finale from Bizet's
The Pearl Fishers as well as excerpts from the Second Act of La Boheme
by Puccini, with soprano Ani Maldjian playing the role lirtatious
singer Musetta. "The chorus has a very strong presence throughout both
operas," Ketchum explains. "The Pearl Fishers is probably Bizet´s
most successful opera aside from Carmen...and for good reason, as
you´ll hear when Bradley and Museop perform the famous duet ´Au
fond du Temple Saint´. "It´s beautiful!"
Future plans for the Verdi Chorus include taking part in The Ring
Festival L.A. On May 1 and May 2, 2010 the chorus will present Wagner
Vs Verdi: Opposing Roads to Greatness. "Verdi and Wagner lived at the
same time but never met," says Ketchum. "Audiences were often militant
about which composer they liked more. You were either a Wagner-lover
or a Verdi lover."
The chorus, however, is not taking part in that old debate. "We´re
the Verdi Chorus and it´s the Wagner Ring Festival," Ketchum observes
with a smile.
To order tickets for the Fall Concert or for more information about the
Verdi Chorus, call 310.684.3024 or visit www.verdichorus.org. Ticket
prices are as follows: $40 reserved; $30 general admission; $25
seniors: $10 students. The First United Methodist Church is located
at 1008 11th Street in Santa Monica.
ABOUT THE GUEST ARTISTS
Soprano Ani Maldjian
Armenian-American Soprano Ani Maldjian has been described as a
"remarkable soprano", with a voice that is "richly mature and full
of lyric nuance", and her singing "elegant, commanding, brilliant,
fresh and strong...definitely a name to watch as she rises through
the ranks of young sopranos."
This 2009-2010 season, Maldjian makes her debut with West Bay Opera
as Musetta in La Boheme and with Townsend Opera as Valencienne in The
Merry Widow. She returns to Opera Santa Barbara in November, as Mabel
in The Pirates of Penzance. Later in the spring, she returns to Long
Beach Opera for a fourth season, as Madame Mao in Nixon in China, and
in the summer, returns to Sun Valley, Idaho, for a concert with Sun
Valley Opera. Future engagements include a return to Seattle Opera,
and her debut with Opera in the Heights.
Maldjian has performed ov ta, Lauretta, Serpina, Cleopatra, Adele,
Despina and her Armenian title roles as Zvart, Armine and Zemire,
premiered in Los Angeles. With a great passion and enthusiasm for 20th
and 21st century music, she has also performed the title roles in The
Diary of Anne Frank and The Cunning Little Vixen with Long Beach Opera,
Fire/Princess/Nightingale in Ravel´s L´enfant et les sortileges
with Seattle Opera´s YAP, Princess (#1) in Susa´s Transformations
with the Merola Program, among others. She also created the role of
Jane in the world premiere of Wet by Anne LeBaron at the Walt Disney
Center in Los Angeles, with critical acclaim.
Her concert credits include Hatzis´ Light from the Cross with the
Camerata Orchestra in Athens, Greece, Rossini´s Stabat Mater with
the Sacramento Choral Society and numerous recitals and aria concerts
throughout California and Hawaii, with companies such as the Hoku
Concert Series, Southcoast Symphony Orchestra, Opera Associates of
Los Angeles, Opera Reading Club of Hollywood, Long Beach Festival,
Armenian American Medical Society, Mozart Live on the Radio, Palm
Springs Opera Guild, and Merola Opera.
Maldjian, who earned a Bachelor of Fine Arts degree from the
California Institute of the Arts and completed the Masters Program
at The California State University of Northridge, received additional
opera training at Seattle Opera´s Young Artist Program (06-08), San
Francisco Opera´s Merola Program (06/07), Music Academy of the West
(04/05), Aspen Music Festival (03), and OperaWorks (02). She was the
First Place Winner of the Western Region Metropolitan Opera National
Council Auditions in 2005.
Tenor Bradley Wisk
Bradley Wisk studied with Giorgio Tozzi at Indiana University,
singing the baritone roles of St. Brioche in The Merry Widow and the
Bouncer/Politician in The Ballad of Baby Doe. At the Manhattan School
of Music, he sang the role of the Doctor in Vanessa before switching
to tenor roles, singing Tinca in Il Tabarro and Gherardo in Gianni
Schicchi. He sang Goro in Madama Butter ly at Martina Arroyo´s 2006
Prelude to Performance program and completed his Masters Degree in
2007. He then spent the 2007 and 2009 summer seasons at Utah Festival
Opera, where he covered the roles of Tony in West Side Story and Don
José in Carmen.
A recipient of scholarships from both Indiana University and the
Manhattan School of Music, Wisk was recently given awards by the
Performing Arts Scholarship Foundation in Santa Barbara and the Opera
Buffs in Los Angeles.
Baritone Museop Kim
Museop Kim has appeared at Wolf Trap Opera, Glimmerglass Opera,
Juilliard Opera Center, Aspen Music Festival, Manhattan School of
Music Opera Theatre and the Academy of Vocal Arts. Roles the baritone
has performed include Dandini from La Cenerentola, Aeneas in Dido
and Aeneas, Escamillo in Carmen, Voltore in John Musto´s Volpone,
Raimbaud from Le Comte Ory, Enrico in Lucia di Lammermoor, Gugielmo,
in Cosi fan tutte, the title role of Don Giovanni, Il Conte in Le
Nozze di Figaro, Marcello in La Boheme, Ford in Falstaff, Simeon in
L´Enfant prodigue, and Frank in Puccini´s Edgar.
In addition, Kim has won several awards throughout Europe as well
as the U.S. including the Liederkranz Foundation Competition,
Aspen Concerto Competition, Leopoldschlosskron Singing Competition
in Salzburg, Austria, Metropolitan Opera National Council New York
District, Licia Albanese Puccini Foundation, FGO Singing Competition,
and Washington International Singing Competition.
Upcoming performances include an appearance in Haydn´s Il mondo della
Luna at Gotham Chamber Opera and in the world premiere of Amelia at
Seattle Opera.
ABOUT THE VERDI CHORUS
Twenty-seven years ago, Verdi, Ristorante di Musica in Santa Monica
offered its customers far more than dinner, drink and dessert. As its
name implied, music figured prominently on the menu...and not just as
background music either. Young professional opera singers performed -
among them, soprano Anne Marie Ketchum.
Shortly after the restaurant opened, owners Sheila and Bernie Segal
found a way tron who had ever dreamed of singing onstage was invited
to become part of an opera chorus, which would also perform at the
restaurant. Meanwhile, Ketchum, who also held a degree in choral
conducting, agreed to teach and guide the ensemble as Music Director
of the chorus.
The Verdi Chorus was an instant success and, in 1991, after
Verdi, Ristorante di Musica closed, reorganized as a nonprofit
corporation. The group held auditions, began to restrict its membership
and focus on the quality of its sound. Today, the Verdi Chorus - the
only ensemble in Southern California devoted solely to performing
great choruses from opera - is still under the direction of Anne
Marie Ketchum and, under her guidance, has mastered a repertoire of
nearly 200 choruses. The Chorus has also taken part in a full-scale
production of Cavalleria Rusticana, and served as the chorus for
the USC production of La Clemenza di Tito. Future plans include a
performance in Pasadena, as part of the LA Opera "Ring Festival"
in April 2010.
Over the years, more than 60 top opera professional singers have
performed with the Verdi Chorus, including soprano Shana Blake Hill;
mezzo sopranos Cynthia Jansen and Suzanna Guzmán; tenors Daniel
Montenegro, Roberto Gomez, Gregorio Gonzalez and Robert MacNeil;
baritone Nmon Ford; and bass-baritones Dean Elzinga and Cedric
Berry. The Chorus also supports the Metropolitan Opera National
Council by offering performance opportunities to the Metropolitan
Western Region audition finalists.
"Our guest artist program extends to our section leaders," adds
Ketchum, "who are fine singers in their own right and add a richness
and professionalism to our sound."
Currently, the Verdi Chorus numbers over 50 voices, with virtually
every profession represented - artists, scientists, dentists,
doctors, lawyers, teachers, homemakers, architects, accountants,
business owners, and network administrators.
"The chorus members are people who have one thing in common, a
true love of opera," says Tom Redler, retired dentist and th ´s
president. "Plus they can sing."
From: Emil Lazarian | Ararat NewsPress