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APIGIAN-KESSEL: TEKEYAN PRESENTS MASTER VIOLINIST HENRIK KARAPETYAN
By Betty Apigian-Kessel
http://www.armenianweekly.com/2010 /02/12/apigian-kessel-tekeyan-presents-master-viol inist-henrik-karapetyan/
February 12, 2010
He is only 28 but if his Nov. 19, dissertation recital is any evidence,
master violinist Henrik Karapetyan's star is destined to rise to
the heavens.
Over 100 people attended the evening event held at the Bloomfield
Township Library presented by the Metro Detroit area Tekeyan Cultural
Association. Introduction was by Edmond Azadian with additional
comments by Nora Azadian.
Henrik is a DMA (doctor of musical arts) candidate in violin
performance at the University of Michigan School of Music, Theatre,
and Dance, the equivalent of a performance Ph.D. which he will receive
next spring. He was accepted to do his doctoral studies in 2007 with
full tuition and a part-time teaching appointment as a grad student
instructor.
The Michigan School of Music is rated as one of the best schools
in the country, accepting only two to three violinists a year from
scores of applicants. Being selected is an honor.
Karapetyan is a Yerevan native and comes from a family of musicians.
Locally, he is the nephew of Anahit Toomajan, wife of Prof. Dicran
Toomajan, so he comes with an impressive pedigree. He speaks Armenian,
Russian, French, and excellent English.
He began his music lessons at the age of six at the Spendiarian
Special Music School of Yerevan. In 1997, he entered the Komitas
State Conservatory of Music in the class of distinguished professor S.
Akhnazaryan.
He performed as the conservatory's orchestra concertmaster during the
premiere performance of J.S. Bach's "Matthew's Passions" in Armenia.
He was a semi-finalist in an international competition held in France
thereafter traveling through Europe as a member of the "Serenade"
Chamber Orchestra.
Karapetyan moved to the U.S. in 2001 as a graduate student, during
which time he held the concertmaster's position with the Plymouth and
International Symphony Orchestras. In 2005, he completed a recording
project featuring violin-piano miniatures performed by himself and
his wife Yevgenya Lavrovskaya.
In 2004, Karapetyan joined the Michigan Opera Theatre as a section
violinist. He teaches lessons and master classes, and is a clinician
and freelancer in the Detroit area. As the violinist of the "Luminare"
duo, he performs close to 100 shows annually together with his wife.
His concert "Medieval Voices-Modern Reflections" consisted of
modern music compositions inspired by the Armenian religious music
tradition, including works by Sharafyan, Alan Hovhaness, Aghajanyan,
and Baghdasaryan. Two world premieres were played at the concert,
one featuring a piece by Karapetyan-the very exciting "The Birth
of Vahakn"-and a piano trio by Daniel Thomas Davis commissioned for
the occasion.
Karapetyan gives his good, non-Armenian friend Davis (the composer
of "Diary of Scattering") high marks as an outstanding composer of
our time. Perhaps a first, Davis's "Scattering" was inspired by the
Armenian religious tradition. His inspiration was the history of the
Armenians-including the genocide and the resulting diaspora-evoking
great emotion with his lovely composition. My conversation with Davis
revealed he had a friendship with a Watertown, Mass. Armenian. That
influence resulted in composing a magnificent tribute to Armenians
everywhere.
Credit must be give to Karapetyan. Amongst his ambitions is to bring
Armenian music widely to non-Armenian audiences, accomplishing that
by including non-Armenians in the process as performers and composers,
as was done tonight.
Karapetyan is in exceptional company with the likes of Komitas,
Tahmizyan, Atayan, and Kooshnarian, all of whom consider Armenian
religious music as the purest expression of true Armenian spirit
and character. Appropriately, Karapetyan has a photo of himself with
Komitas's statue, which stands in downtown Detroit on Jefferson Ave.
For a year, the master violinist was the director of the choir at St.
Sarkis Armenian Apostolic Church of Dearborn.
The future for Henrik Karapetyan? He sees himself comfortable in
an academic environment of a college or university where he can
simultaneously teach and perform. In his collaboration with Davis,
Karapetyan says, "I have been lucky to have him in my project. My
intention is to bring this to wider audiences and I hope to get other
Armenian communities nationwide interested in it."
Henrik and Yevgenya Karapetyan have a son and reside in Rochester. As
if his agenda were not ambitious enough, his other interests
include chess, reading, and writing. Not only is he a violinist of
accomplishment, he is also a prize winner of the Armenian National
Competition of Young Writers in 1996. He was been blessed with many
talents.
Armenian communities alert: If you want to avail youselves of Henrik
Karapetyan's project and enlighten others about beautiful Armenian
music, do yourselves a favor, contact him at [email protected].
By Betty Apigian-Kessel
http://www.armenianweekly.com/2010 /02/12/apigian-kessel-tekeyan-presents-master-viol inist-henrik-karapetyan/
February 12, 2010
He is only 28 but if his Nov. 19, dissertation recital is any evidence,
master violinist Henrik Karapetyan's star is destined to rise to
the heavens.
Over 100 people attended the evening event held at the Bloomfield
Township Library presented by the Metro Detroit area Tekeyan Cultural
Association. Introduction was by Edmond Azadian with additional
comments by Nora Azadian.
Henrik is a DMA (doctor of musical arts) candidate in violin
performance at the University of Michigan School of Music, Theatre,
and Dance, the equivalent of a performance Ph.D. which he will receive
next spring. He was accepted to do his doctoral studies in 2007 with
full tuition and a part-time teaching appointment as a grad student
instructor.
The Michigan School of Music is rated as one of the best schools
in the country, accepting only two to three violinists a year from
scores of applicants. Being selected is an honor.
Karapetyan is a Yerevan native and comes from a family of musicians.
Locally, he is the nephew of Anahit Toomajan, wife of Prof. Dicran
Toomajan, so he comes with an impressive pedigree. He speaks Armenian,
Russian, French, and excellent English.
He began his music lessons at the age of six at the Spendiarian
Special Music School of Yerevan. In 1997, he entered the Komitas
State Conservatory of Music in the class of distinguished professor S.
Akhnazaryan.
He performed as the conservatory's orchestra concertmaster during the
premiere performance of J.S. Bach's "Matthew's Passions" in Armenia.
He was a semi-finalist in an international competition held in France
thereafter traveling through Europe as a member of the "Serenade"
Chamber Orchestra.
Karapetyan moved to the U.S. in 2001 as a graduate student, during
which time he held the concertmaster's position with the Plymouth and
International Symphony Orchestras. In 2005, he completed a recording
project featuring violin-piano miniatures performed by himself and
his wife Yevgenya Lavrovskaya.
In 2004, Karapetyan joined the Michigan Opera Theatre as a section
violinist. He teaches lessons and master classes, and is a clinician
and freelancer in the Detroit area. As the violinist of the "Luminare"
duo, he performs close to 100 shows annually together with his wife.
His concert "Medieval Voices-Modern Reflections" consisted of
modern music compositions inspired by the Armenian religious music
tradition, including works by Sharafyan, Alan Hovhaness, Aghajanyan,
and Baghdasaryan. Two world premieres were played at the concert,
one featuring a piece by Karapetyan-the very exciting "The Birth
of Vahakn"-and a piano trio by Daniel Thomas Davis commissioned for
the occasion.
Karapetyan gives his good, non-Armenian friend Davis (the composer
of "Diary of Scattering") high marks as an outstanding composer of
our time. Perhaps a first, Davis's "Scattering" was inspired by the
Armenian religious tradition. His inspiration was the history of the
Armenians-including the genocide and the resulting diaspora-evoking
great emotion with his lovely composition. My conversation with Davis
revealed he had a friendship with a Watertown, Mass. Armenian. That
influence resulted in composing a magnificent tribute to Armenians
everywhere.
Credit must be give to Karapetyan. Amongst his ambitions is to bring
Armenian music widely to non-Armenian audiences, accomplishing that
by including non-Armenians in the process as performers and composers,
as was done tonight.
Karapetyan is in exceptional company with the likes of Komitas,
Tahmizyan, Atayan, and Kooshnarian, all of whom consider Armenian
religious music as the purest expression of true Armenian spirit
and character. Appropriately, Karapetyan has a photo of himself with
Komitas's statue, which stands in downtown Detroit on Jefferson Ave.
For a year, the master violinist was the director of the choir at St.
Sarkis Armenian Apostolic Church of Dearborn.
The future for Henrik Karapetyan? He sees himself comfortable in
an academic environment of a college or university where he can
simultaneously teach and perform. In his collaboration with Davis,
Karapetyan says, "I have been lucky to have him in my project. My
intention is to bring this to wider audiences and I hope to get other
Armenian communities nationwide interested in it."
Henrik and Yevgenya Karapetyan have a son and reside in Rochester. As
if his agenda were not ambitious enough, his other interests
include chess, reading, and writing. Not only is he a violinist of
accomplishment, he is also a prize winner of the Armenian National
Competition of Young Writers in 1996. He was been blessed with many
talents.
Armenian communities alert: If you want to avail youselves of Henrik
Karapetyan's project and enlighten others about beautiful Armenian
music, do yourselves a favor, contact him at [email protected].