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  • Nancy Sweezy: Obituary Draft

    NANCY SWEEZY: OBITUARY DRAFT

    http://hetq.am/en/society/nancy-sweezy-obit uary-draft/
    2010/02/15 | 15:58

    Nancy Sweezy, a leading folklorist in the United States, died in
    Cambridge, Massachusetts on February 6. She was 88. Her daughter,
    Martha, confirmed that she died peacefully after a long illness but
    added that she had continued her work until very near the end.

    Ms. Sweezy was known to a generation of musicians for her role as
    president of the board of directors of the Club 47, a key venue in
    the folk music revival of 1960's and early '70's in Harvard Square
    that hosted talents as varied as Joan Baez, Doc Watson, Bob Dylan,
    Bill Monroe, Libba Cotten, Tom Ashley and John Hurt among others. Ms.

    Sweezy helped to guide a generation of performers, producers, managers
    and folk music enthusiasts. Her house on Agassiz Street in Cambridge
    served as the gathering place for out-of-town performers and for
    aspiring musicians to sit at the feet of mentors.

    In 2006 the National Endowment for the Arts celebrated Ms. Sweezy's
    leadership in the field of folk arts by presenting her with the Bess
    Lomax Hawes National Heritage Fellowship at the Library of Congress.

    In declaring her a National Treasure the presenters made particular
    note of her seminal role in reviving North Carolina's famed Jugtown
    Pottery. Living, working and applying her management, advocacy and
    people skills at Jugtown in the late 1960's and early 1970's, Ms.

    Sweezy helped inspire a revival of the traditional pottery community
    and watched it grow from seven potteries in the Seagrove area when she
    first arrived to more than 115 today. In the fall of 2008, Ms. Sweezy
    returned to Jugtown to be interviewed for the award-winning PBS series
    Craft in America.

    Also acknowledged during the National Heritage Fellowship presentation
    were Ms. Sweezy's work with Ralph Rinzler, Director of the Smithsonian
    Institution's annual Folklife Festival on the Mall in Washington D.C.,
    her seminal book, Raised in Clay for the Smithsonian Press on the
    Southern pottery tradition, her founding of the Refugee Arts Group
    which collaborated with the Cambodian, Hmong and other Southeast
    Asian communities in the preservation of their traditional crafts and
    performing arts, and her authorship of the book Armenian Folk Arts,
    Culture, and Identity. This book was compiled during more than a dozen
    trips to Armenia, often with the artistic and logistical support of
    her son the photographer Sam Sweezy, made during a time of considerable
    danger and unrest in Armenia when Ms. Sweezy was in her 70's.

    In 2005, when she was 84, Ms. Sweezy co-curated with potter Mark
    Hewitt, the North Carolina Museum of Art's highly praised exhibition,
    The Potter's Eye: Art and Tradition in North Carolina, and collaborated
    with Mr. Hewitt on the companion book of the same title.

    Born on October 14, 1921 and educated at the Boston's Museum School of
    Fine Arts and the Stuart School, Ms. Sweezy's earlier life demonstrated
    a similar taste for risk and adventure. When World War II broke out,
    she was offered a job in the Research and Analysis Branch (R &A)
    of the Office of Strategic Services (OSS), the predecessor to the
    Central Intelligence Agency. Her job was to assist in the analysis of
    Germany's ability to fight the war. Soon, working with Chandler Morse,
    the Director of R &A, she helped to coordinate this flow of information
    among the various U.S. government agencies on a need-to-know basis.

    In November of 1944, Ms. Sweezy moved with her R & A section from
    Washington D.C. to London, zigzagging across the Atlantic on a
    bitterly rough trip in a convoy of blacked-out troop ships shielded by
    U.S. destroyers. In London she joined her mentor and friend American
    Ambassador Gil Winant and his staff working in the streets during
    post-V-2 bombing rescue efforts.

    As the Allied armies prevailed, she moved with her section to the
    Continent, focusing on an examination of the Morgenthau plan to
    de-Nazify Germany. She was in Paris on Victory Europe day, walking the
    city all through its wild night of celebration and was still there to
    attend the memorial service for FDR in Notre Dame Cathedral. After
    Paris, as the U.S. army moved rapidly across Europe to reach Berlin
    before the Russians, Ms.Sweezy was sent to Weisbaden, Vienna, and
    Berlin where she went down into Hitler's bunker shortly after the
    Fuhrer's dual suicide with Eva Braun.

    It was in Germany that Ms. Sweezy developed a romantic relationship
    with her future husband, Paul M. Sweezy, the chief writer of the R &
    A reports. In 1951 the New Hampshire Attorney General called upon Mr.

    Sweezy, a Harvard economist who later became known as the dean
    of American Marxists, to testify before the local New Hampshire
    un-American Activities Committee. His refusal to take refuge in the
    Fifth Amendment or to answer questions about others resulted in the
    famous 1957 Supreme Court case based on the First Amendment, Sweezy v.

    New Hampshire, which contributed to the end of the McCarthy era. It
    also resulted in social and political pressure on Ms. Sweezy and her
    family. She and Paul Sweezy divorced in 1960.

    Throughout her life Ms. Sweezy was an advocate for human rights
    and a believer in the magic of music, dance, and handmade objects
    to preserve the soul of a culture and its community. As an intrepid
    author, teacher, and mentor she was a force in supporting immigrant
    traditions before there were public folklife programs, funding streams,
    and endowed apprenticeships. In addition to her youngest daughter,
    Martha Sweezy of Cambridge, Massachusetts, Ms. Sweezy is survived
    by her daughter Lybess Sweezy of New York City, their older brother
    Samuel Sweezy of Arlington, Massachusetts, five grandchildren, and
    four great-grandchildren.
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