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ANKARA: Two Artists Create Alternative 'Monument To Humanity'

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  • ANKARA: Two Artists Create Alternative 'Monument To Humanity'

    TWO ARTISTS CREATE ALTERNATIVE 'MONUMENT TO HUMANITY'

    Hurriyet
    July 13 2011
    Turkey

    Two Dutch artists' project 'Helping Hands,' an alternative to Mehmet
    Aksoy's sculpture that was removed in the eastern Kars,does not
    carry a fixed political message but accommodates space for ongoing
    negotiation by gathering plaster hand molds from people

    The mobile project 'Helping Hands' by two Dutch artists includes a
    giant hand sculpture being wheeled around on a junk cart in Istanbul's

    Those walking around Istanbul's Pangaltı, Elmadağ and Taksim
    neighborhoods might find it surreal to see a giant hand sculpture
    being wheeled around on a junk cart. The sculpture, however, is not
    destined for the scrap yard; instead it is a mobile project by two
    Dutch artists touching on a current debate between art and politics.

    Wouter Osterholt and Elke Uitentuis walk around Istanbul all day with
    their junk cart with a copy of

    sculptor Mehmet Aksoy's long-debated sculpture, the "Monument to
    Humanity," placed on top of it and

    ask people whether they could make a plaster cast mold of their hands.

    Aksoy's sculpture was built in the eastern province of Kars and
    dedicated to Turkish-Armenian friendship. Yet, during a Jan. 8 visit
    to the area, Turkish Prime Minister Recep Tayyip Erdoğan pointed

    to the 35-meter-tall "Monument to Humanity," called it "freakish"
    and demanded its removal. Kars' municipal assembly promptly passed
    a motion to tear down the monument, saying it had been illegally

    erected in a protected area.

    "We were in Turkey during the debates and we felt there were a lot
    of opposing views on the sculpture," Uitentius recently told the
    Hurriyet Daily News. "We started to question the role of monuments in
    representing political propaganda and decided to make an alternative
    'Monument

    to Humanity' that does not necessarily provide symbolic 'goodness,'
    but could also include critique,

    resistance and rejection."

    Indeed, the pair's alternative project called "Helping Hands" does
    not necessarily carry a fixed political message but accommodates
    space for ongoing negotiation by gathering plaster hand molds from
    people who have different opinions on the topic.

    "When we are walking with our cart, a lot of people stop and ask
    us what it is and want to start a dialogue," Uitentius said. "We
    interview them on what they think about the sculpture and its debate
    and we also ask whether we can make a copy of their hand. We make
    it open to decide what gesture they want to make, most people choose
    hand shakes, victory signs or fists.

    So far, the pair has collected 105 hands; at the end of the project,
    Osterholt and Uitentuis said they

    would take them all to Kars and leave them in the place where the
    monument once stood.

    "The project is really about the democratization of public space
    through the monuments. We want

    it to be inclusive and reflect all kinds of views, those who support
    the monument; those who say art

    should be free of politics and those who say art is being used for
    political propaganda," Uitentius said.

    The artists will also exhibit the project at PiST///, a nonprofit
    interdisciplinaryproject space. PiST///'s curators Didem Ozbek and
    Osman Bozkurt said they found the project quite interesting.

    "They could make even more hand plasters if they had more material,"
    Ozbek said. "We are located in

    Pangaltı and there are a lot of Turkish and Armenian people in this
    neighborhood. Therefore it is an important site to discuss these
    issues." The project will run until July 14 while the exhibition dates

    will be announced at http:// www.pist-org.blogspot.com/ in the
    near future.

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