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Gagosian Gallery presents John Chamberlain worldwide representation

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  • Gagosian Gallery presents John Chamberlain worldwide representation

    Gagosian Gallery presents John Chamberlain worldwide representation


    May 6, 2011 - 13:40 AMT
    PanARMENIAN.Net -

    Gagosian Gallery presents worldwide representation of John Chamberlain
    with an exhibition of new sculptures by the artist, to be presented
    concurrently at the 24th Street gallery in New York and the Britannia
    Street gallery in London.

    The show is on view from May 5 through July 8, 2011, according to artdaily.

    Chamberlain is best known for his distinctive metal sculptures
    constructed from discarded automobile-body parts and other modern
    industrial detritus, which he began making in the late 1950s. His
    singular method of putting these elements together led to his
    inclusion in the paradigmatic exhibition `The Art of Assemblage,' at
    the Museum of Modern Art in 1961, where his work was shown alongside
    modern masters such as Marcel Duchamp and Pablo Picasso.

    John Chamberlain was born in Rochester, Indiana. He attended the Art
    Institute of Chicago (1951-1952) and Black Mountain College
    (1955-1956) and moved to New York in 1956. His work is represented in
    many major public collections including Chinati Foundation, Marfa,
    Texas; Menil Collection, Houston; Solomon R. Guggenheim Museum, New
    York; Whitney Museum of American Art, New York; Museum Ludwig,
    Cologne; and Tate Modern, London. He had his first retrospective at
    the Solomon R. Guggenheim Museum, New York, in 1971, followed by more
    than one hundred one-person exhibitions, including Dia Art Foundation
    (1983); Museum of Contemporary Art, Los Angeles (1986); Staatlich
    Kunsthalle Baden-Baden (1991); Stedelijk Museum, Amsterdam (1996);
    Chinati Foundation, Marfa, Texas (2005-2006); and Menil Collection,
    Houston (2009). His work has been included in numerous international
    survey exhibitions, including Bienal de São Paulo (1961, 1994),
    Biennale di Venezia (1964), Whitney Biennial (1973, 1987), and
    Documenta 7 (1982).




    From: A. Papazian
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