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'Ucube' Decapitated In Kars: 'Monument To Humanity' Demolition Under

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  • 'Ucube' Decapitated In Kars: 'Monument To Humanity' Demolition Under

    'UCUBE' DECAPITATED IN KARS: 'MONUMENT TO HUMANITY' DEMOLITION UNDERWAY
    By: Nanore Barsoumian

    http://www.armenianweekly.com/2011/05/11/ucube-decapitated-in-kars/
    Wed, May 11 2011

    The Monument to Humanity's two-stone figures were effectively
    decapitated after Turkish Prime Minister Recep Tayyip Erdogan declared
    the structure a "freak" (ucube, in Turkish) during a January visit
    to Kars.

    The Monument to Humanity's two-stone figures were effectively
    decapitated.

    According to its sculptor, Mehmet Aksoy, he created the monument
    to acknowledge the pain rooted in the division between Turkey and
    Armenia, and to promote peace, brotherhood, and rapprochement between
    the two countries.

    The two figures-meant to be one-stood face-to-face, with one extending
    a hand to the other.

    The demolition began on April 26-though it had been scheduled for
    the 25th, while Armenians worldwide commemorated the anniversary of
    the Armenian Genocide.

    In the presence of riot police, the heads of the statues were
    dismounted and trucked away.

    Thus, a conciliatory symbol has itself become a target of intolerance-a
    fate Aksoy has likened to the destruction of Buddhist relics by
    the Taliban.

    Chasing 'ucube' out of town

    Meanwhile, in Eskisehir's Tepebasi municipality, dozens of artists
    contributed their art to an exhibition titled "Ucube-Ebucu," which
    opened on April 9. ("ebucu" is ucube read backward.) At the opening
    were Aksoy, Kars Mayor Ahmet Atac from the Republican People's Party
    (CHP), and former Culture Minister Ercan Karakas. The exhibition
    featured works that caused a stir in conservative segments. Its
    organizers were forced to terminate the exhibit earlier than planned,
    after some of the works, like a painting by Menekse Samanci, were
    deemed offensive for "insulting religious values."

    In the painting, Samanci depicts a mosque, its minarets replaced by the
    figures comprising the Monument to Humanity. Between the two figures,
    and over the dome of the mosque, the artist has drawn three strings
    holding up lights that spell "UCUBE." According to news reports,
    Samanci argued her work was a criticism of those who used religion
    to suit their agendas, rather than an attack on Islam. Two paintings,
    including Samanci's, are now subject to an investigation by Eskisehir
    prosecutor Erdogan Yildirim.

    The mosque in Samanci's painting is the Suleymaniye Mosque, whose
    architect Mimar Sinan (1490-1588) is believed to be an Armenian (or
    Greek, by some accounts). The replacement of the minarets with the
    two figures may be interpreted as a powerful statement on the use of
    religious rhetoric as either a unifying force or a destructive weapon.

    The last days of 'Ucube'

    In a Jan. 8 visit to Kars, Erdogan fueled a debate on the future
    of the monument when he declared it a "freak" and "abomination,"
    and called for its demolition and replacement with "a beautiful park."

    The painting by Menekse Samanci.

    "They have placed an abomination next to the Mausoleum of Hasan
    Harakani. They erected a strange thing," the prime minister was quoted
    as saying.

    Authorities also claimed the statue lacked a zoning permit, and that
    it stood on a historic 16th-century military site.

    In late January, the Kars Municipal Assembly decided to demolish
    the monument.

    A week before the demolition was to begin, Bedri Baykam, a Turkish
    artist, and his assistant, Tugba Kurtulmus, were stabbed in the abdomen
    following a meeting where Baykam called for a march and protest on
    April 23.

    Kars's former mayor, Naif Alibeyoglu, a man who actively sought to
    improve ties with neighboring Armenia, commissioned the work in 2006,
    and almost immediately faced a backlash.

    Observers have noted that the large percentage of ethnic Azeris in
    the city opposed the construction of the statue, which may have played
    a part in sealing its fate.

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