Announcement

Collapse
No announcement yet.

The Getty Museum Is In A Legal Fight Over Armenian Bible Pages

Collapse
X
 
  • Filter
  • Time
  • Show
Clear All
new posts

  • The Getty Museum Is In A Legal Fight Over Armenian Bible Pages

    THE GETTY MUSEUM IS IN A LEGAL FIGHT OVER ARMENIAN BIBLE PAGES
    By Mike Boehm

    Los Angeles Times
    http://www.latimes.com/entertainment/news/la-et-armenian-bible-20111104,0,4956662.story
    Nov 3 2011

    Armenian Orthodox Church seeks eight pages of the Zeyt'un Gospels
    that the Getty Museum bought in 1994. The Getty asked the motion to
    be dismissed, but judge orders mediation.

    The J. Paul Getty Trust failed Thursday to derail a lawsuit by
    the Armenian Orthodox Church that accuses the museum of harboring
    stolen illuminated medieval manuscripts - 755-year-old works that are
    masterpieces and, to the church, spiritually and historically sacred.

    After a brief hearing, Los Angeles Superior Court Judge Abraham Khan
    denied the Getty's motion to dismiss the claim. The museum's attorneys
    argued that the deadline for filing the suit had passed decades ago
    under the statute of limitations. But the judge said that's "not clear"
    and ordered four months of mediation, scheduling a March 2 resumption
    if the case isn't settled.

    At that point, the judge said, he might focus on the complicated
    history of the pages' journey from the Turkish region of Cilicia
    to America during and after the World War I-era Armenian genocide,
    in order to determine whether the suit filed last year meets the
    six-year statute of limitations.

    The West Coast branch of the Armenian Apostolic Church of America -
    acting on behalf of its mother church, the Lebanon-based Holy See
    of Cilicia - hopes to recover the eight folded pieces of painted
    parchment that once formed the front pages of a larger work called
    the Zeyt'un Gospels. The Getty Museum bought the pages in 1994 for
    $950,000. The church wants to send them to a museum in Yerevan,
    capital of the Republic of Armenia, so they can be reunited with the
    rest of the Zeyt'un Gospels, housed there since the 1960s.

    Though disappointed with the ruling, the Getty said in a statement,
    "we are confident that we hold legal title." Lee Boyd, heading the
    church's legal team, said after the hearing that the Getty failed
    to investigate the pages' provenance - or ownership history - when
    it bought them from Armenian American heirs of a man the church says
    stole the pages in 1916. The Zeyt'un Gospels briefly had fallen into
    his hands amid the upheaval of the Turks' expulsion of the Armenian
    community from Cilicia, then a region of the Ottoman Empire and now
    part of Turkey.

    Boyd said that the Getty also failed in 1994 to consult with officials
    of the Matenadaran, the museum in Armenia whose collection includes
    the rest of the Bible created in 1256 by T'oros Roslin, whom the
    Getty's website describes as "the most accomplished master of Armenian
    manuscript illumination."

    The head of a leading manuscript archive said this week that instead
    of falling back on legal arguments, the Getty should be addressing
    ethical issues - and conclude that returning the pages would be proper.

    Father Columba Stewart, a Benedictine monk and executive director
    of the Hill Museum & Manuscript Library at St. John's University in
    Collegeville, Minn., said that a whole work of art is better than a
    divided one, and that when a museum has the power to turn a fragmented
    manuscript into a complete one, it should do so.

    "It's better from an artistic perspective ... it can [then] be studied
    by scholars as a whole object," said Stewart, whose museum is creating
    a comprehensive digital archive of Christian manuscripts from around
    the world, and last month won the National Medal for Museum and
    Library Service - the federal government's highest award in the field.

    Acquiring individual sheets of a manuscript is improper, he said,
    unless the original work already is so fragmented or scattered
    that there's little chance it can be made whole. Museums must avoid
    "contributing to an improper fragmentation of a work. In this instance,
    it would not be a terribly complex matter to restore the whole."

    Beyond that, Stewart said, the Getty, which in recent years repatriated
    more than 40 artifacts to Greece and Italy after evidence showed
    they had been looted from archaeological sites, should consider that
    these works are still venerated: "Here's a living, breathing religious
    community, as opposed to classical antiquities."

    Responding in writing to Stewart's criticisms, Elizabeth Morrison, the
    Getty's acting senior curator of manuscripts, said that "well-regarded
    ... collections around the world" contain individual manuscript sheets.

    "The Getty in no way condones the practice of taking apart manuscripts,
    but we continue to collect individual leaves after careful examination
    proves that they have not recently been removed ...

    with motives of financial gain."

    The Republic of Armenia and the government-run Matenadaran are not
    parties to the dispute, although the museum's director, Hrachya
    Tamrazyan, last year sent a letter to church attorneys, confirming
    that "we have asked you to represent ... the interest of the Republic
    of Armenia ... including the Matenadaran, using your best efforts to
    obtain the return of these treasures ... to their rightful owners."

    In an interview Wednesday, Grigor Hovhannissian, the Armenian consul
    general in Los Angeles, said that the museum director was speaking
    for himself, not the government, which is taking "a wait and see
    position.... There are issues we need to understand better."

    Hovhannissian said this is the first cultural patrimony case to
    have emerged since Armenia became an independent nation 20 years
    ago. The case has been reported in the Armenian media, he said, and
    "there's quite a bit of emotion, an emotionally charged atmosphere
    when talking about this piece of art."

    Vartkes Yeghiayan, an attorney for the church, said that its legal
    team has identified at least 60 other Armenian manuscripts in American
    collections - at Yale, Harvard and the Walters Art Museum in Baltimore,
    among others - that may have been stolen. Further suits may result,
    he said, if church authorities give the go-ahead.

    The suit against the Getty says that before the Armenian genocide,
    the Zeyt'un Gospels resided at a church in Cilicia, where the work was
    venerated and believed to possess holy powers that would protect the
    community in times of war. In 1915, as Armenians in Turkey were being
    killed or expelled, the suit says, the Bible was paraded through the
    streets "to create a divine firewall of protection around the city."

    It began to change hands for safekeeping, and in 1916, the suit says,
    the disputed sheets were removed, resurfacing with an Armenian American
    immigrant family in Massachusetts that sold them to the Getty.

    The pages emerged in 1994 as an anonymous loan from the family to
    an exhibition at the Pierpont Morgan Library in New York City, which
    traveled to the Walters Art Museum, where a critic for the Baltimore
    Sun described the Zeyt'un pages as a "tour de force ... with their
    elaborate trees, scrolls, cornucopias, columns, vases and pitchers,
    and no fewer than 26 pairs of birds wearing brilliant plumage." The
    Getty bought them at that time - a period when it was also acquiring
    antiquities despite clear evidence they had been recently looted.

    Under California law, suits to recover allegedly stolen artworks
    from a museum or art dealer must be filed no later than six years
    after the owner learns of their whereabouts. The Getty contends that
    articles published in 1943 and 1952 prove that the church knew that
    the Massachusetts family had the pages and should have sued for their
    return back then.

    Boyd, the church's lawyer, disputed that, adding that the Getty is
    ignoring the historical reality then facing the Holy See of Cilicia,
    which ministers to Armenian Orthodox adherents in North America and
    the eastern Mediterranean. As church leaders tried to help persecuted
    refugees rebuild shattered lives, she said, "cultural objects were
    the last thing on their mind."



    From: Emil Lazarian | Ararat NewsPress
Working...
X