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  • Books: Spooky inspiration behind 'The Night Strangers'

    CNN Living
    Oct 7 2011


    Spooky inspiration behind 'The Night Strangers'

    By Christian DuChateau, CNN

    (CNN) -- Witches, ghosts, a haunted house and a deadly plane crash:
    "The Night Strangers" has all the hallmarks of a good ghost story, but
    bestselling author Chris Bohjalian has put his own 21st-century spin
    on the supernatural genre in his frightening new novel.

    In the story, the haunted house is a charming fixer-upper in rural New
    Hampshire. Don't forget to ask the real estate agent about the
    mysterious basement door, nailed shut with 39 6-inch-long carriage
    bolts.

    The witches are self-proclaimed herbalists who go to great lengths to
    find the organic ingredients for their feel-good tinctures; just don't
    call them "potions."

    The ghosts are the victims of a commuter plane crash on Lake
    Champlain, but don't look for a "Miracle on the Hudson" finish to this
    water landing.

    At the heart of this creepy yarn is a not-quite-typical American
    family: Chip and Emily Linton and their twin 10-year-old daughters.
    Chip is an airline pilot with a bad case of survivor's guilt. Emily is
    suspicious of her new neighbors' intentions and her husband's sanity.
    While the twins try to fit in at their new school, one of the young
    girls begins to hear voices.

    With more than a dozen novels under his belt, "The Night Strangers"
    marks new territory for Bohjalian, who's tackled domestic violence in
    "Secrets of Eden," a World War II love story in "Skeletons at the
    Feast," and mental illness and "The Great Gatsby" in "The Double
    Bind."

    CNN recently spoke to Bohjalian (pronounced Bow-jail-yen) and the
    real-life inspiration behind "The Night Strangers." The following is
    an edited transcript:

    CNN: What was the spark behind "The Night Strangers"?

    Bohjalian: Along one of the foundation walls of the basement of my
    house in Vermont is a door. It's about five and a half feet tall and
    three feet wide and made of rough wooden planks. My guess is that it
    was added at some point after the 1898 Victorian above it was first
    constructed.

    When my wife and I moved into the house, it was nailed shut. That's
    right: nailed. There was a moldy pile of coal beside it, and so I
    convinced myself the door was merely a part of an old coal chute.
    Sure, I never found the exterior entrance to the chute, but that was a
    detail. Perhaps it was under a porch added at some point in the 1940s.

    A few years later, in the early 1990s, I finally pulled the door open.
    The project demanded a crowbar, a wrench and at one point an ax. After
    hours of toil, behind that door I found ... nothing. There was a
    slender cubicle the height and width of the door and maybe 18 inches
    deep. The walls were made of wood, and behind them was nothing but
    earth. In no way did it resemble a coal chute. It was more like a
    closet -- or a crypt behind which you might wall up a neighbor alive.

    So I nailed the door shut and made a mental note to steer clear of
    that corner of the basement for as long as we lived in the house.
    Nevertheless, on some level I understood even then that the basement
    door was going to lead to a novel.

    Now, it would take an airplane ditching one January afternoon in 2009
    in the Hudson River before I would begin to understand what was going
    to exist behind that door. Like many thousands of other people, I
    raced to my television set and watched the evacuation of US Airways
    Flight 1549 as it occurred, staring enrapt as passengers stood on the
    wings and the plane floated amidst the waves.

    Perhaps it was the shape of the jet's cabin doors, but at that moment
    I thought of the door in my basement.

    The next morning, I wrote the following sentence: "The door was
    presumed to have been the entry to a coal chute, a perfectly
    reasonable assumption since a small hillock of damp coal sat moldering
    before it."

    And so begins "The Night Strangers."

    CNN: There's a plane crash in your book, reminiscent of the "Miracle
    on the Hudson." You went to great lengths to research plane crashes
    for the novel?

    Bohjalian: I did. I read a disturbing number of black box transcripts
    from doomed airliners, watched a lot of terrifying NTSB computer
    animations of crashes and interviewed pilots. But the most important
    thing I did to add authenticity to the novel was to visit Survival
    Systems in Groton, Connecticut.

    There I climbed into a flight suit, got strapped inside a Modular
    Egress Training Simulator and lowered into a 100,000-gallon tank of
    water. I was rolled 180 degrees so I was upside-down. The point of
    this, other than determining if my flight suit should have a diaper,
    was to get a taste of what it's like to exit a plane that has just
    crashed in the water.

    The METS is a cylinder that resembles an aircraft cabin. It has
    interchangeable exits, so Survival Systems can replicate egress from
    most types of fixed- and rotary-wing aircraft. The device is lowered
    into the tank, submerged underwater and then rolled upside down or to
    an off-angle, depending upon the scenario. The ceiling can be set on
    fire because, let's face it, when your plane or chopper has become a
    lawn dart, there's a chance that something is ablaze.

    The day I was dunked, there were three National Guardsmen being
    trained as well. I had an instructor in the simulator with me, and
    there were divers in the water around it to make sure that all of us
    got out with, worst case, a snootful of water. Altogether, I was
    dunked three times, twice rolled until I was upside-down. Escaping the
    simulator the two times I was strapped into a seat and had to push out
    exit windows while upside-down were particularly satisfying.

    CNN: Without giving away too much, your book features ghosts and
    witches, a first for you. What prompted you to write about the
    supernatural?

    Bohjalian: If you look at my personal library, you will notice that it
    ranges from Henry James to Steig Larsson, from Margaret Atwood to Max
    Hastings. There's Jane Austen and Tom Perrotta and volumes of letters
    from Civil War privates. It's pretty eclectic. And there's Shirley
    Jackson and Stephen King and Edgar Allan Poe.

    The Poe is a paperback I bought when I was a boy. It cost 45 cents
    when it was brand new. It's a little more squat and a little more wide
    than a traditional mass market edition, and has a red moon and a raven
    on the cover. I wrote my name atop the first page with a blue Magic
    Marker, the ink bleeding through the thin sheet onto page three, and
    the letters are evidence that my mother was on to something when she
    would insist that our dog had better handwriting than I did.

    It is one of the only books from my childhood I still own. I loved Poe
    when I was a boy. I loved all ghost stories. So I guess it was only a
    matter of time before I wrote one. Moreover, I hope I will never write
    the same book twice.

    So, why a ghost story? Well, I love them. They're fun to read -- and,
    yes, fun to write. And when I imagined the subject matter of a plane
    crash and a pilot's post-traumatic stress disorder, ghosts seemed as
    good a way in as any.

    CNN: What's next for you?

    Bohjalian: I just finished a love story set amidst the Armenian
    Genocide in 1915 and the World War I battle of Gallipoli. A young
    Boston graduate from Mount Holyoke and an Armenian engineer are two of
    the main characters. It's called "The Sandcastle Girls." I am
    half-Armenian, and three of my four Armenian great-grandparents died
    in the Genocide, and so I found the research particularly wrenching.

    http://www.cnn.com/2011/10/07/living/chris-bohjalian-author-interview/

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