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Armenian delight: Isabel Bayrakdarian

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  • Armenian delight: Isabel Bayrakdarian

    The Kingston Whig-Standard, Ontario
    Oct 8 2011


    Armenian delight

    By Greg Burliuk


    >From the Paris opera to singing an eerie soundtrack on Lord of the
    Rings, Isabel Bayrakdarian has done it all. Now Kingston audiences
    will get to see another side of the four-time Juno Award winner.

    She will perform folk songs from her native Armenia as well as from
    the tango when she appears with the Amici Chamber Ensemble on Sunday
    at Grant Hall as the opener for the Queen's Performing Arts Office
    series. The Amicis are acclaimed, having also won a Juno. The trio's
    pianist, Serouj Kradjian, is married to the singer.

    "This concert is an integral part of who I am," says Bayrakdarian, who
    lives in Toronto. "My interests are varied but this concert represents
    an extension of who I am and what I love to sing. Usually people are
    used to hearing me sing opera or classical music in concert.

    "I have a strong sense of possessiveness about these folk songs. I
    feel very free in how I colour the words and with my interpretation of
    them."

    In the first half of the concert, the singer will perform folk songs
    collected by the Armenian composer Father Gomidas. "Some of the songs
    I have sung since I was a child and others I have just learned," says
    Bayrakdarian. "Gomidas collected the songs from different villages and
    distilled them in classical arrangements. So many of the songs were
    lost during the Armenian genocide (which began in 1915 and is said to
    have resulted in the deaths of more than a million people).

    "One of my favourites is the song Dear Maral, which is one of the more
    recent ones I have learned. It's a story of love lost."

    The Amicis have also investigated Armenian music. Their most recent
    CD, Armenian Chamber Music, was nominated for a 2011 Juno. At the
    concert, the group (whose other members are clarinetist Joaquin
    Valdepenas and cellist David Heatherington) will perform three
    selections from that CD. One of them is called Elegy for Restive Souls
    and was composed by Kradjian. "It was written in 2008 to commemorate
    the Armenian earthquake which decimated most of Northern Armenia,"
    says Kradjian. "I was a kid growing up in Canada and I remember this
    one picture of a clock in the middle of a destroyed town. It had
    stopped at exactly 11:43, which was when the earthquake hit.

    "I went back there many years later and there were still traces of it
    and still homeless people after 20 years. The 17 minutes of the
    composition is a description of the chaos and sadness and struggle of
    that time but it ends on a note of rebirth."

    The two other pieces to be performed by the Ensemble are Arno
    Babadjanian's Trio for Violin, Cello and Piano, and Alexander
    Arutiunian's Suite for Clarinet, Violin and Piano. The latter is still
    an active composer at the age of 92.

    When asked to characterize Armenian music, Kradjian said, "Armenia is
    at the crossroads of Asia and Europe so it has rhythmic and melodic
    structure from both. It also borrows from Armenian folk music. In my
    piece, I used elements of liturgical music, which is also heavily
    present."

    The concert will end with two pieces of tango music performed by
    singer and ensemble. The works are Carlos Gardel's El Dia Que Me
    Quieras and Kurt Weil's Youkali. "I lived in Spain for a few years so
    that's where I came to love the tangos," says Bayrakdarian. "They are
    the people's expression. I love the way they express raw human
    emotions. They are sungs that are meant to be sung and enjoyed by all
    people."


    One of the singer's more unusual assignments was learning to sing in
    Elfish as part of the soundtrack for the Lord of the Rings: Two
    Towers. "After I made my debut at the Paris Opera, I had four days off
    and I went to the Abbey Road Studio in London where the Beatles
    recorded," she says. "I got to see still unedited clips of footage
    because we had to match the voice to the footage.

    "They wanted a very ethereal sound that could be made by a woman or a
    boy. It was other worldly but it was a lot of fun to do."

    http://www.thewhig.com/ArticleDisplay.aspx?e=3327866

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