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Armenia guards ancient carpet-weaving traditions

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  • Armenia guards ancient carpet-weaving traditions

    Sin Chew Jit Poh
    Oct 8 2011

    Armenia guards ancient carpet-weaving traditions

    by Mariam Harutyunyan


    ECHMIADZIN, October 8, 2011 (AFP) - The smell of wool hangs thick in
    the air at a small studio in Armenia's ancient spiritual centre of
    Echmiadzin as women fashion carpets by hand using methods passed down
    through generations.

    "I love weaving carpets, the process takes away me somewhere and I
    become oblivious to everything and think only of beautiful things,"
    said one of them, deaf-mute Narine Badalian, using sign language
    translated by an interpreter.

    "You have to really concentrate in order not to make a mistake. If you
    do even one knot incorrectly, the whole design won't work out," said
    her colleague Nazik Karapetian without lifting her eyes as an image of
    a stone cross took shape beneath her busy fingers.

    People in Armenia, as in other Caucasus and Central Asian countries,
    have been making carpets since pre-Christian times.

    Armenian designs are usually multicoloured and geometric, and
    sometimes bear symbols traditionally believed to have the power to
    ward off evil spirits.

    The Echmiadzin-based studio was set up as a charity project to employ
    impoverished women and refugees who fled neighbouring Azerbaijan
    during the 1990s war between the ex-Soviet neighbours over the
    disputed region of Nagorny Karabakh.

    But it also has another major difference -- it aims to use authentic
    traditional methods and tools and to be environmentally friendly.

    Wool for the rugs is processed without chemical dyes by elderly
    refugees in remote villages than sent to Echmiadzin to be woven into
    what one of charity project's leaders Grigor Babakhanian calls
    "eco-carpets"

    "In order to produce ecologically pure carpets, we decided to confine
    ourselves to eight natural colours of sheep's wool, and not to dye
    it," Babakhanian explained.

    "Our goal is to give work to elderly women who became refugees during
    the Karabakh war, to train young people in the art of carpet-making
    and to revive traditional carpet-making techniques," he said.

    Dozens of refugees have already been trained in hand-weaving by
    Babakhanian's Cross of Armenian Unity charity foundation and it is
    hoped that sales of the rugs will help to finance other refugee
    programmes.

    Major Armenian manufacturing companies also produce carpets using
    traditional methods and designs, but the demand for handmade items has
    fallen in recent years due to their rising cost, with many consumers
    preferring cheaper machine-made rugs.

    The authorities introduced tax breaks for handmade carpet
    manufacturers two years ago in an attempt to help sustain the
    industry.

    "The development of carpet-making is of cultural and social
    significance for Armenia, rather than economic," said Hayk Mirzoian,
    an official at the country's economy ministry.

    The carpets made by the women in Echmiadzin -- a former capital that
    is still home to the head of Armenia's Christian church -- are
    decorated with symbols derived from religious monuments and ancient
    manuscripts.

    "Our carpets advocate the national culture and national traditions,"
    said Babakhanian.

    His brother Gevorg, who creates the designs, said the use of pure
    materials and spiritual imagery means that the finished products are
    infused with "positive energy".

    Although the concept of "eco-carpets" may be new in Armenia,
    time-honoured carpet-making techniques are not dying out, suggests
    ethnographer Ashgunj Pogosian -- although they remain in need of
    constant protection.

    "The traditions of Armenian carpet-making must be preserved and handed
    on to future generations because they are part of our people's
    historical and cultural heritage, they are part of our national image,
    just like songs, the language and the alphabet," he said.

    For Babakhanian, the uniqueness of the handmade work is also part of its appeal.

    "Every carpet tells a different story," he said.

    http://www.mysinchew.com/node/64822

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