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  • Arts & Entertainment: Big Name Photographer Comes To Small Town Muse

    BIG NAME PHOTOGRAPHER COMES TO SMALL TOWN MUSEUM
    By John P. Aloian, Crimson Staff Writer

    Harvard Crimson
    Sept 13 2011
    MA

    As a major American city and historic center of American politics,
    history, and art, Boston has always counted important world figures
    among its visitors. This fall, however, 25 of the 20th century's most
    influential figures plan to make an appearance just beyond the city
    limits for the grand reopening of a small Watertown museum.

    Perhaps one of Watertown's best-kept secrets, the Armenian Library
    and Museum of America (ALMA) is celebrating the unveiling of a
    permanent collection of 25 original signed portraits by renowned
    Canadian-Armenian photographer Yousuf Karsh. Although Karsh's
    photographs spanned a range of genres, it was his portrait photographs
    that brought him international fame and recognition. Following the
    publication of his now iconic portrait of Winston Churchill, British
    prime minister during World War II in LIFE Magazine, Karsh went on
    to shoot portraits of the some of the most well known figures of the
    20th century, including Albert Einstein, Mother Teresa, and Ernest
    Hemmingway.

    The upcoming ALMA exhibition "Karsh: Celebrating Humanity" will open
    on September 17. All of the featured portraits were donated to ALMA
    by Karsh's widow, Estrellita Karsh. The unveiling of this exhibition
    coincides with the completion of ALMA's two and a half month-long
    renovation, which was an effort to improve the quality of the
    facilities in light of such an important acquisition. Though Karsh's
    photographs will now play a prominent role in the museum, regular
    visitors will still be able to find the Armenian artifacts that they
    are used to seeing. "The hope is that by re-facing [the museum] we'll
    have people coming in to see the Karsh photographs who will [then]
    be able to see a sampling of the Armenian artifacts," says Daniel K.

    Dorian, a member of the Board of Trustees. "We're hoping to increase
    the foot traffic so that people get an opportunity to see some of
    these things."

    ALMA's artifacts include a vast collection of Armenian coins, carpets,
    ceramics, laces, manuscripts, and religious objects, as well as an
    extensive library of titles pertaining to Armenian culture. Since
    ALMA's founding in 1971, when it first displayed its artifacts in the
    basement of a Belmont church, the collection has grown in both quantity
    and quality. Despite its move to a larger space in the early 90s,
    ALMA can still only display 3% of the its collection at any given time.

    This substantial growth stems partially from private donations
    made by survivors of the Armenian Genocide. However, the museum's
    collection spans a much greater portion of Armenian history, which
    has witnessed repeated episodes of conflict and warfare. "Armenian
    history is replete [with] Armenia being the battleground between
    eastern and western empires ... and somehow, [the Armenian people]
    came up with a multifarious culture that staggers the imagination,"
    says Haig Der Manuelian, chairman of ALMA's board of trustees.

    Despite the rich history behind its artifacts, ALMA still remains
    relatively unknown to the residents in the greater Boston area. "A lot
    of people don't know about it," says board member Robert Megerdichian.

    "What [ALMA] need[s] is people to get the word out and the hope is
    that this exhibit will do that."

    http://www.thecrimson.com/article/2011/9/13/alma-karsh-portrait-photography/


    From: Baghdasarian
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