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Polish Film Director Holland: "A Quality Film About The Armenian Gen

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  • Polish Film Director Holland: "A Quality Film About The Armenian Gen

    POLISH FILM DIRECTOR HOLLAND: "A QUALITY FILM ABOUT THE ARMENIAN GENOCIDE IS WIAITING TO BE MADE"
    Mаry Mamyan

    hetq
    16:27, July 16, 2012

    Agnieszka Holland, one of Poland's most prominent filmmakers visiting
    Armenia for the screening of her film "In Darkness" at the Golden
    Apricot Film Festival, told reporters that, "A quality film about the
    Armenian Genocide still needs to be made. It's a reality that still
    needs recognition."

    Holland, many of whose films deal with WWII, was at a loss to explain
    why a good film has yet to be made regarding the 70 year existence of
    the Soviet Union and the terrible repression that took place within
    its borders.

    Considered a Hollywood outsider, Holland stated that she is one of
    those directors who place the primarmy emphasis on the composition
    which is succeeded by the placement of the images.

    "They coalesce and create a history that answers those questions that
    compel me to make films," Hollan explained.

    Perhaps Holland's best-known and well-regarded film is Europa Europa
    (1991), based on the biography of Solomon Perel, a Jewish teenager
    who fled Germany for Poland following Kristallnacht in 1938.

    In Darkness (2011), a nominee for Best Foreign Language Film award
    at the 84th Academy Awards as Polish entry, is based on true events.

    The film tells a story of Leopold Socha, a sewer worker in the
    Nazi-occupied Polish city of Lwów (since 1945 Lviv, Ukraine), who
    used his knowledge of the city's sewer system to shelter a group of
    Jews of the Lvov Ghetto during the Holocaust in Poland.

    It's a theme that strongly resonates with Holland who was born in
    Warsaw a few years after the end of the WWII.

    Her father's parents were killed in the ghetto, and her mother
    participated in the 1944 Warsaw Uprising and was a member of the
    Polish Underground.

    "I didn't select this theme, it selected me many years ago and I have
    become its slave," Holland said.

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