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CLARINET PLAYER NAREK ARUTYUNIAN PERFORMS WITH BOSTON POPS ORCHESTRA
PanARMENIAN.Net
June 12, 2012 - 16:02 AMT
PanARMENIAN.Net - Armenian clarinet prodigy Narek Arutyunian refused to
become daunted by one of the world's leading orchestras, The Armenian
Weekly reports.
The 19-year-old stood firm and tall at Boston's Symphony Hall and was
embraced by a crowd attending the 61st annual rendition of Armenian
Night at the Pops June 8.
Of the 2,400 in attendance this evening, some 450 were Armenians, bent
on getting their first look at the rising star. He didn't disappoint,
the report says.
"Best 18 minutes I could have ever performed," he told observers at
a post-reception. "Playing next to conductor Keith Lockhart was the
ultimate experience. I shall treasure this moment forever."
He opened the performance with a rather spirited number called
"Czardas" written by Monti, then presented a somber rendition of
"Krounk" (The Crane) by Komitas for solo clarinet.
The finale was a jazzy "Concerto for Clarinet" written by the
inimitable Artie Shaw, which had the crowd swaying in their seats.
When it came to the Armenian piece, Lockhart silenced his ensemble,
stepped to one side, and gave his guest artist complete autonomy. The
two often made eye contact and exchanged pleasing smiles.
Lockhart lauded Arutyunian as "an Armenian musician of considerable
talent," probably wishing his presence upon the Pops ensemble. The
maestro had just returned from London where he participated in the
Queen's Jubilee.
"It's a tribute to both the immigrants and martyrs who overcame
tremendous obstacles," Lockhart noted. "Armenians are a people to
be admired."
PanARMENIAN.Net
June 12, 2012 - 16:02 AMT
PanARMENIAN.Net - Armenian clarinet prodigy Narek Arutyunian refused to
become daunted by one of the world's leading orchestras, The Armenian
Weekly reports.
The 19-year-old stood firm and tall at Boston's Symphony Hall and was
embraced by a crowd attending the 61st annual rendition of Armenian
Night at the Pops June 8.
Of the 2,400 in attendance this evening, some 450 were Armenians, bent
on getting their first look at the rising star. He didn't disappoint,
the report says.
"Best 18 minutes I could have ever performed," he told observers at
a post-reception. "Playing next to conductor Keith Lockhart was the
ultimate experience. I shall treasure this moment forever."
He opened the performance with a rather spirited number called
"Czardas" written by Monti, then presented a somber rendition of
"Krounk" (The Crane) by Komitas for solo clarinet.
The finale was a jazzy "Concerto for Clarinet" written by the
inimitable Artie Shaw, which had the crowd swaying in their seats.
When it came to the Armenian piece, Lockhart silenced his ensemble,
stepped to one side, and gave his guest artist complete autonomy. The
two often made eye contact and exchanged pleasing smiles.
Lockhart lauded Arutyunian as "an Armenian musician of considerable
talent," probably wishing his presence upon the Pops ensemble. The
maestro had just returned from London where he participated in the
Queen's Jubilee.
"It's a tribute to both the immigrants and martyrs who overcame
tremendous obstacles," Lockhart noted. "Armenians are a people to
be admired."