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Azeri Rights Row Drowns Out Eurovision Song Contest

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  • Azeri Rights Row Drowns Out Eurovision Song Contest

    AZERI RIGHTS ROW DROWNS OUT EUROVISION SONG CONTEST
    By Margarita Antidze

    WXEL
    May 24 2012

    Sar of Bosnia & Herzegovina performs during a rehearsal for the finals
    of the Eurovision song contest in Baku

    BAKU (Reuters) - Tens of millions of television viewers will tune
    into Europe's annual pop music contest in the former Soviet republic
    of Azerbaijan this weekend, but a war of words over human rights may
    drown out the singing, self-promotion and kitschy costumes.

    Hundreds of excited Eurovision Song Contest fans have already arrived
    in the oil-rich Azeri capital of Baku, which has undergone a $60
    million facelift in preparation for the event with a shiny new
    23,000-seat rectangular Crystal Hall on the shores of the Caspian
    Sea at the centre of the celebrations.

    "People are very friendly in Azerbaijan and food is fantastic. We
    enjoy being here and we love Eurovision," said Dmitry, a 19-year-old
    flag-draped fan from Moldova, accompanied by new Azeri friends.

    The multi-purpose Crystal Hall arena was built by a German firm in
    eight months for an undisclosed sum of money.

    But human rights groups say some buildings in the centre of Baku were
    specifically torn down with the song contest in mind and that the
    forced eviction of residents, especially in areas around the Crystal
    Hall, casts a shadow over the event.

    Azerbaijan won the right to host the annual contest last year in
    Germany with the victory of its entry, the love song "Running Scared",
    from Eldar Gasimov and Nigar Jamal, better known as Ell/Nikki.

    It is the fifth former Soviet republic after Estonia, Latvia, Ukraine
    and Russia and the second Muslim country after Turkey to host the
    event.

    DECORATIONS AND DEMONSTRATIONS

    In preparation, Azerbaijan has trained thousands of police, temporary
    staff and volunteers in basic foreign language skills to welcome
    contest participants and cope with the thousands of fans arriving
    from around Europe.

    "I have been trained for a few months and can speak basic English
    now," said Elchin Guluzade, a 43-year-old taxi driver, who drives
    one of the dozens of cabs bought ahead of the event.

    Taxis as well as buses and streets of the capital Baku are decorated
    with Eurovision emblems and the slogan "Light your fire!" Locals and
    guests stroll around in Azeri national colors of red and green as
    well as blue Eurovision t-shirts and caps.

    "I think that many more people will learn about our beautiful country
    after Eurovision and many more will come to see it," 19-year-old
    student Sabina Mehdiyeva said, adding her voice to many Baku residents
    who welcomed the contest.

    Despite the effort to highlight progress that the oil-producing nation
    of nine million people has made since independence in 1991, critics
    of President Ilham Aliyev's government have taken the opportunity to
    air allegations of human rights abuses.

    Critics accuse Aliyev, who in 2003 succeeded his father to the
    presidency of the Caspian Sea country north of Iran, of clamping down
    on dissent, but Baku says the country enjoys full freedom of speech
    and a vibrant opposition press.

    Dozens of peaceful protesters were arrested this month in central Baku
    during rallies and marches demanding democracy and the resignation
    of the government.

    "A stern crackdown of freedom of expression, dissent, NGOs, critical
    journalists, in fact anyone who criticizes the Aliyev regime too
    strongly, and we've seen this continue right up until the Eurovision
    Song Contest," Amnesty International Europe and Central Asia director
    John Dalhuisen told Reuters.

    But senior Azeri officials responded to allegations by calling them
    "anti-Azeri propaganda."

    "Their conclusions do not correspond with reality", said Ali Hasanov,
    head of the public and political issues department at the presidential
    administration.

    The government is also under fire from Islamic figures as well who
    object to the Eurovision pageant. Senior Iranian cleric Ayatollah
    Sobhani has issued a statement urging Muslims in the region to protest
    what he described as "anti-Islamic behavior".

    The song contest, which is a major showbusiness event in many
    participating countries, has also been marred by the decision of
    Armenia to pull out of the contest this month.

    The move underscored tensions over Nagorno-Karabakh, a mainly
    Armenian-populated enclave inside Azerbaijan which Armenian forces
    seized control of after the collapse of the Soviet Union.

    STOMPING GRANNIES

    In the contest itself, 10 countries out of 18 have already qualified
    in the first Eurovision semi-final this week, while 10 more will be
    selected on Thursday to participate in the grand final on Saturday
    night.

    Six more participants, including Azerbaijan, are already included in
    the final without participating in semi-finals.

    Eurovision, which draws more than 100 million viewers almost every
    year, parades a wide array of musical styles in original songs,
    mostly from relatively unknown artists.

    List of participants this year includes Russian rural folk group
    "Buranovskiye Babushki" (Grannies from Buranovo), septuagenarian
    British crooner Engelbert Humperdinck and eccentric pop duo Jedward -
    twins from Ireland, much beloved by teenagers in Europe.

    Russian grannies and 28-year-old Swedish diva Loreen are regarded by
    bookmakers as top rivals ahead in the final.

    Buranovskiye Babushki, clad in the traditional red headscarfs and
    long dresses of their Russian northern region of Udmurtia, stomping
    feet shod in tree bark shoes and urging the audience to dance, were
    a hit at this week's semi-finals.

    Loreen is still to perform her emotional "Euphoria" song in the second
    semi-final on Thursday.

    (Reporting by Margarita Antidze; editing by Paul Casciato)

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