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'NIGHT OVER ERZINGA': A PLAY ABOUT ACCEPTANCE AND HEALING
by Lilly Torosyan
http://www.armenianweekly.com/2012/10/23/night-over-erzinga-a-play-about-acceptance-and-healing/
October 23, 2012
"Night over Erzinga" tells the story of a family with a painful secret
that engulfs three generations. The production shifts between the past
and the present, with many of the actors taking on several roles, to
describe the impact that the Armenian Genocide has had on survivors
and their descendants. Playwright Adriana Sevahn Nichols describes
the play as "a story about how we heal and eventually surrender to
embrace the past, in order to live a more whole future."
Playwright Adriana Sevahn Nichols Nichols says she was inspired
to write the play after learning about the gaps in her own family
history. "My mother is Armenian, but she was not raised by her
biological parents," she tells the Weekly. After Nichols' grandparents
moved to the United States, after narrowly surviving the Armenian
Genocide, her grandmother began to experience post-traumatic stress
disorder, eventually ending up in an institution where she was
given shock treatments. "From that point on, she never recognized
her children, so they were placed in foster care, as the state did
not believe my grandfather could take care of them on his own,"
Nichols says.
'The memories that I have of my grandpa are very warm and wonderful.
He had an incredible heart-a petite man with big hands full of muscled
love-and he made the best dolma," the playwright jokes. "I wanted to
understand how he could lose two families, in one lifetime, and not
lose his heart," she adds. The play itself is partially set in Erzinga
(in present-day Turkey), where Nichols' grandfather was from.
Three years ago, Nichols joined one of Armen Aroyan's heritage tours to
historic Armenia to conduct research for the play. "When I put my hands
into the Euphrates River, there was something that reached back to
me...a sense of peace and a knowing that I'd come home. It was a kind
of baptism and I sensed that I now had the right to write this play."
"I feel like when an elder dies, a library burns, so I had to get to
this story on the page before it was too late," she says. "I returned
very different-I interviewed my remaining relatives. Sadly, my grandpa
didn't talk much about the past, so very little was known. I thought,
how do I take these kernels of a story and grow them into something
meaningful?"
"At some point during the writing process, I felt like something else
was moving my pen, writing things I could not have known. The beauty
of it was when I went to fact check, and they would check out. It
was a sign that this story was being told from a much deeper place,"
reveals Nichols.
"This journey has brought me to a very profound relationship with
my ancestors, who I now know are my guardians and guides, and are no
longer just faces in a photos album, of a distant past."
Despite the "sorrowful yet beautiful" nature of the story, as one
critic put it, Nichols assures that there is a lot of humor in
the play. "When we laugh, we are able to celebrate the triumph of
the human spirit and the power of love, to overcome everything we
Armenians have had to endure, and continue to thrive."
Ultimately, the play was commissioned by the Middle East America:
A National New Plays Initiative, which was designed to encourage the
development of Middle Eastern-American playwrights and plays through
the partnership of tri-coastal theatres: San Francisco's Golden Thread
Productions, where the play premiered last year for a successful run;
New York's Lark Play Development Center; and Chicago's Silk Road
Rising, where it is highlighting now.
"Night over Erzinga" has premiered in two major cities thus
far, and Nichols hopes for more presentations throughout the
country. In particular, she has her heart set on bringing the play
to Massachusetts, where her grandparents lived, and which is home to
the oldest Armenian-American diaspora community; and to Los Angeles,
home of a sizable Armenian community that embraced and pushed Nichols
to go forth with the play, and without which "none of this would've
happened."
"Night over Erzinga" will be playing in Pierce Hall at the Historic
Chicago Temple Building through Nov. 11.
For play times and ticket information, visit
http://www.silkroadrising.org/live-theater/night-over-erzinga.
by Lilly Torosyan
http://www.armenianweekly.com/2012/10/23/night-over-erzinga-a-play-about-acceptance-and-healing/
October 23, 2012
"Night over Erzinga" tells the story of a family with a painful secret
that engulfs three generations. The production shifts between the past
and the present, with many of the actors taking on several roles, to
describe the impact that the Armenian Genocide has had on survivors
and their descendants. Playwright Adriana Sevahn Nichols describes
the play as "a story about how we heal and eventually surrender to
embrace the past, in order to live a more whole future."
Playwright Adriana Sevahn Nichols Nichols says she was inspired
to write the play after learning about the gaps in her own family
history. "My mother is Armenian, but she was not raised by her
biological parents," she tells the Weekly. After Nichols' grandparents
moved to the United States, after narrowly surviving the Armenian
Genocide, her grandmother began to experience post-traumatic stress
disorder, eventually ending up in an institution where she was
given shock treatments. "From that point on, she never recognized
her children, so they were placed in foster care, as the state did
not believe my grandfather could take care of them on his own,"
Nichols says.
'The memories that I have of my grandpa are very warm and wonderful.
He had an incredible heart-a petite man with big hands full of muscled
love-and he made the best dolma," the playwright jokes. "I wanted to
understand how he could lose two families, in one lifetime, and not
lose his heart," she adds. The play itself is partially set in Erzinga
(in present-day Turkey), where Nichols' grandfather was from.
Three years ago, Nichols joined one of Armen Aroyan's heritage tours to
historic Armenia to conduct research for the play. "When I put my hands
into the Euphrates River, there was something that reached back to
me...a sense of peace and a knowing that I'd come home. It was a kind
of baptism and I sensed that I now had the right to write this play."
"I feel like when an elder dies, a library burns, so I had to get to
this story on the page before it was too late," she says. "I returned
very different-I interviewed my remaining relatives. Sadly, my grandpa
didn't talk much about the past, so very little was known. I thought,
how do I take these kernels of a story and grow them into something
meaningful?"
"At some point during the writing process, I felt like something else
was moving my pen, writing things I could not have known. The beauty
of it was when I went to fact check, and they would check out. It
was a sign that this story was being told from a much deeper place,"
reveals Nichols.
"This journey has brought me to a very profound relationship with
my ancestors, who I now know are my guardians and guides, and are no
longer just faces in a photos album, of a distant past."
Despite the "sorrowful yet beautiful" nature of the story, as one
critic put it, Nichols assures that there is a lot of humor in
the play. "When we laugh, we are able to celebrate the triumph of
the human spirit and the power of love, to overcome everything we
Armenians have had to endure, and continue to thrive."
Ultimately, the play was commissioned by the Middle East America:
A National New Plays Initiative, which was designed to encourage the
development of Middle Eastern-American playwrights and plays through
the partnership of tri-coastal theatres: San Francisco's Golden Thread
Productions, where the play premiered last year for a successful run;
New York's Lark Play Development Center; and Chicago's Silk Road
Rising, where it is highlighting now.
"Night over Erzinga" has premiered in two major cities thus
far, and Nichols hopes for more presentations throughout the
country. In particular, she has her heart set on bringing the play
to Massachusetts, where her grandparents lived, and which is home to
the oldest Armenian-American diaspora community; and to Los Angeles,
home of a sizable Armenian community that embraced and pushed Nichols
to go forth with the play, and without which "none of this would've
happened."
"Night over Erzinga" will be playing in Pierce Hall at the Historic
Chicago Temple Building through Nov. 11.
For play times and ticket information, visit
http://www.silkroadrising.org/live-theater/night-over-erzinga.