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Culture: The Armenians Of Musa Dagh

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  • Culture: The Armenians Of Musa Dagh

    THE ARMENIANS OF MUSA DAGH

    Osservatorio Balcani e Caucaso
    Sept 14 2012
    Italy

    An Armenian, a Syrian and a Turk are playing cards in the only inn in
    town. The three eldersliven up an empty room with ritual jokes, amidst
    the vapor of coffee. Each of their lives is asynthesis of individual
    and collective stories gone bad, forsaken like this place. The tenth
    episode of the story "From the Caucasus to Beirut"

    >From my journal. November 23rd.

    The reflection of the orange light saturates the room, giving
    the nightmares the stylized shapeof the shadows surrounding me. An
    encrusted sink, sinuous in old-fashioned shapes; the siphonhanging on
    the wall, damp with carelessness; a formica clothes stand, shiny from
    wear. Themagnificence of an ancient Middle-Eastern capital implodes in
    the torment of a sleepless hotel fortruckers and wheeler-dealers. Rise
    soon, sun: put out this nauseating reflection of the light on thewalls,
    kill solitude, finally tell me if your day will or will not see my
    journey continue to Syria.

    Antioch, a handful of kilometers North of the Turkish-Syrian border.

    The Orontes river, a watertongue born from the perennial snows of
    Mount Lebanon, cuts a luxurious city in half. Ancientbazaars for
    centuries swarming with the same euphoric wish for small business;
    restaurantsinvading the streets till late at night; Roman capitals
    and columns integrated in the geometry ofan aesthetic Islam. The
    Syrian civil war is only a half hour-drive away, but on the festive
    riversidein Antioch, a city Ankara snatched away from Damascus only
    70 years ago, no one seems to mind.Waiters take orders in Arabic,
    renewing the perfect bilingualism of this young corner of Turkey.

    Thursday morning. November is almost over, while the Syrian revolution
    is already eight monthsold. The United Nations have announced yet
    another ultimatum which (disregarded) will befollowed by yet other
    sanctions. Just like every Friday, at the end of the most awaited
    prayer ofthe week, Syrians will carry out a mass demonstration howling
    with rage against the 40 year-old autocracy of the Assad dynasty. The
    hundred thousand Armenians populating the Country, aminority amongst
    minorities, children of the orphans of the genocide, will look out
    their windowsin Aleppo and Damascus: they will witness the rush of
    rage fill the streets, in the land that hasgenerously given them
    shelter for a hundred years.

    Everything is ready to cross the border. On the memory card in my
    camera now I only have thepictures that any tourist with my visas on
    their passport would have shot: Caucasian sunsets,snowy mountain tops,
    children smiling, flocks pasturing. The other pictures, transferred on
    a DVD,are already in Istanbul, along with the rest of the material:
    notes, clippings, drawings, maps, lifestories. Again, I go over the
    itinerary from Armenia to the Turkish-Syrian border ad nauseam: foreach
    leg of the journey, I make up a subject: for each stop, an anecdote;
    for each detail, a lie...so that, if asked, the month-long journey I
    am leaving behind will appear to the Syrian customsofficers to only
    be an insignificant whim of a solitary tourist on a trip out of season.

    The Orontes invades the sea with its full spate force, flooding the
    floor of the Mediterranean withmud. These shores, beat by the same
    wind blowing on Beirut during rainy autumn afternoons,mark the last
    leg of the journey before the most treacherous border. Amidst the
    mountainscovered with a blanket of pine trees and closely chasing
    the coast, a village of about ten souls hasbeen renewing its same
    patient life every day for centuries. A handful of farmers and
    shepherds'houses, gone unarmed through a violent history, is the
    connection of a memory flow thatoriginates in the Armenian villages
    of the Bekaa in Lebanon and lands in the suburbs of Yerevan, inArmenia.

    It is Vakif, the last Armenian village of Turkey.

    An aluminum sign swings squeaking on thin stands of steel. "Vakifli
    koyu, Hosgeldiniz". Welcometo Vakif. The road winding along the slopes
    of Musa Dagh, the Mountain of the Muses, stageto the most memorable
    episode of the Armenian resistance against the Ottoman Troops,
    iscontinuously beat by the wind. Along with five other villages in
    the valley, Vakif is an importantpage in history for the battle that
    on these very mountains saw a small group of Armenian civiliansoppose
    the soldiers for forty days. The soldiers had come to deport them. The
    civilians were finallysighted from the sea by a French ship: at the end
    of their strength, the combatants fled bringingto safety only a red
    cross sewn on a piece of white cloth that made them visible from the
    sea.It was 1915. Today that flag is in the Bekaa valley, in Lebanon,
    guarded in a glass shrine by thedescendants of the Musa Dagh heroes,
    along with the pride of a gallant descent.

    The slow walk climbing up to Vakif gives me time to compare the
    ground with the maps of thebattle that I collected at the Musa Dagh
    museum in the suburbs of Yerevan. Red arrows indicatethe directions
    of the army attacks; black arrows in the opposite direction, even in
    number, markthe withdrawals. In the end, eighteen Armenians died. The
    eighteen martyrs of Musa Dagh.History has kept no trace of how many
    casualties were among the regular troops. What is knownhistory, though,
    is that the refugees found shelter in Port Said, Egypt. The adult men
    enrolled in avoluntary battalion employed in the campaign to conquer
    the Ottoman provinces of the MiddleEast. By 1917, the conquering of
    Syria was complete, and the refugees of Musa Dagh were able toleave the
    Egyptian tent city to return to the shades of these flourishing woods.

    The grating around the Armenian Church in Vakif is locked. The
    silence is broken only by the blowsof a salty wind. A gentleman,
    torn between curiosity and indifference, is slowly coming closer.I
    finish reading the inscription telling the rest of the story. In 1939,
    during World War II, Franceobtained neutrality from Ankara giving up
    this land to Turkey. The Armenians of Musa Dagh lefteverything again,
    this time to move to Lebanon. All of them, except for some: a group
    remained,giving continuity to a very ancient human presence, to which
    this small church bears witness. Inthe meantime, the gentleman has
    overcome his fear. Two huge black eyes look closely at me. Hishand
    up to his mouth, a very eloquent gesture. "Coffee?"

    An Armenian, a Syrian and a Turk are playing cards in the only inn
    in town. The three eldersliven up an empty room with ritual jokes,
    amidst the vapor of coffee. Each of their lives is asynthesis
    of individual and collective stories gone bad, forsaken like this
    place. The Armenian, adescendant of the survivors of Musa Dagh, was an
    emigrant to Germany for forty years as a Turk,like millions of other
    Turks. The Syrian was forced to become a Turkish citizen in 1939,
    when thisland switched sides. The Turk is the son of merchants who,
    prior to the fall of the Ottoman empire,lived in Greece, on the Aegean
    Sea. He settled here because of re-population policies by whichthe
    repatriated Turks were assigned Armenian houses left empty. How much
    history around onetable? How much of neglected memory dies in these
    old men? I come out of the inn and lookdown the valley. The border
    is down there, splitting this clear view in two.

    The Syrian customs officer touches his moustache while shaking his
    head. Illuminated by a milkyneon, the passport lies open on his table.

    It has been lying there for hours, now, among piles ofbullets that
    two soldiers are patiently inserting in the chargers. "Sometimes,
    faxes take the wholenight, to get here. If I were you, I would
    give up". The waiting room is empty: up until a few weeksago, it
    was crowded with people and goods. Today, silence rules. Finally,
    a policeman brings apiece of paper from upstairs.

    >From my journal. November 25th I write to keep busy, to avoid meeting
    the sharp gaze of the young officer on duty. Tidy, clean-shaven,
    very short hair. Uniform ironed.

    He must be my same age, but he seems to belong toanother world. I know
    the fax is a farce, I know he is the one who makes the decisions,
    aroundhere. And I know that he will never let me pass. His is the
    thin face of a power feeling threatenedand who now recognizes and
    speaks with his fellow officers only.

    "Italian? I'm sorry, you can't cross here". The clock marks 1 in the
    morning. I walk backwards andretrace the stretch of sky towering over
    the no man's land. Stars big as nuts carefully watch overmy path.

    While announcing the end of my journey, the officer never took his
    eyes off a Turkishsoap opera on the colorless monitor of his small
    television.

    http://www.balcanicaucaso.org/eng/Dossiers/From-the-Caucasus-to-Beirut/From-the-Caucasus-to-Beirut/The-Armenians-of-Musa-Dagh-122276

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