Tweet
ARMENIAN DESIGNER ENLIVENS BOSTON FASHION INDUSTRY
by Katie Vanadzin
http://www.armenianweekly.com/2013/04/03/armenian-designer-enlivens-boston-fashion-industry/
April 3, 2013
Stepping into a Samuel Vartan dress is a transporting experience.
Nevermind that one is perhaps, as I was, in his studio near the
Fresh Pond Mall on a dark and dingy winter's day. In the brilliant
red floor-length dress, I was strolling down the gangway to a friend's
yacht for an evening gala off of Santorini. The warm breeze on my face,
I smiled into the sunset, until I opened my eyes and remembered that
I was in Boston. In March.
Stepping into a Samuel Vartan dress is a transporting experience.
But one can always pretend-and one will want to, as soon as one sees
the Samuel Vartan Collections, designed by Samuel Vartan Bizdikian,
who has been a Boston resident for the last decade. Born in Athens in
1960 to Armenian parents, Vartan lived there until age six, when his
family relocated to Beirut where his father studied at the American
university and the Near East School of Theology. The family left Beirut
in 1968, giving up a likely position for his father at the highly
regarded Haigazian University, and immigrated to Montreal, Canada,
where Vartan's aunt and uncle were living. Vartan says he remembers
there being "around 150 to 200 people, who had come to dissuade my
father from going... The plan was I think to stay for 5 years and
then leave. Obviously, as everyone knows, he did the right thing
because a few years later, you know, it was just a nightmare there. "
The move to Montreal turned out to be fortuitous in another way;
the family's arrival there in October 1968 is what Vartan considers
now to have been his second birth. "Montreal really really really
defines who I am, not only as a designer but as a person. I'm very
proud of the fact that I was born in Greece, because I do love Greece
and I've been there often, but growing up during your key years in
a city like Montreal is a real gift."
A model wearing one of Samuel Vartan's designs.
The thriving, European-influenced city provided the perfect environment
for Vartan to explore his artistic interests. Majoring in film and
communications at Dawson College, Vartan left his studies just before
graduating. Consistently involved in the Montreal music scene,
Vartan attributes his love of music to his family. "Our parents
sang to us every night to sleep so we were all musically very well
ear-trained. You know, we did the whole thing, we sang in the church
choir, we were like the Armenian Von Trapp family." During this time,
Vartan also created many prize-winning short films and dabbled in
stop-motion and 3D animation. "There was a point in my life, I think
in the 80s probably the most, where there were several times I really
felt like I was on top of the world because it was just so amazing
to be alive and living in Montreal... It was a great city to express
yourself, in many ways."
Part-time work in a hospital and a popular clothing store, "Le
Chateau," provided him with the financial stability to pursue various
avenues of artistic expression. Almost by accident, he discovered his
interest in fashion design when he went fabric shopping with a friend
from a rival band. When another friend opened a leather shop in the
city, Vartan designed a few jackets for him, which sold well. The
owner of a popular cafe then asked Vartan to design the outfits for
its staff. One project led to another until Samuel Vartan Collections
was registered in 1998 and incorporated in 2000.
Meanwhile, Vartan's life was changing in other exciting ways.
Unknowingly, he'd already crossed paths several times with his future
wife, Kiky Papadopoulos, whose cousins were friends of his. After
a long distance friendship and frequent phone conversations between
Boston and Montreal, she visited him in Montreal and they were engaged
in 2002. The couple married in 2003, and Vartan relocated to Boston,
where his son Alexander Vartan was born in 2006.
Samuel Vartan at a fashion show.
For two years Vartan sold his designs from a stand-alone boutique in
Brighton, which attracted the attention of the local press. "I opened
it knowing that I would close it within two years. My sole purpose
was to have a boutique where people could see the way the clothes
should be displayed, in the right setting." Currently, the Samuel
Vartan Collections are distributed to free-standing, high-end boutiques
throughout the U.S. and Canada by his representatives at the Christina
K. Pierce boutique fashion agency. Although generally a wholesaler,
his designs are occasionally available for purchase by individuals.
While he has no concrete plans yet for another stand-alone store,
Vartan says he hopes to open a flagship store in Montreal or New
York in the future. For the time being, he does not see a Boston
store in his plans, citing the city's need to increase support for
local designers. "There needs to be a lot more unity here...amongst
designers, stores, the media. In Montreal, if you want to put on a
show, people jump in, saying, 'How can we help?' So they're into it,
into discovering new talent. Here, they do fashion shows based on
boutiques that carried names that were already household names like
Chanel, Armani, or whatever, Donna Karan. They do a fashion show,
but who's Boston's voice? What are you doing about the local talent?' "
Vartan's line includes the spring/summer "Mediterraneo" and winter/fall
"Dark City" collections. The Mediterraneo designs are warm and
light, influenced by the mild climates of Greece, Italy, and Spain,
whilst the Dark City collection channels the atmosphere of an urban
European underground. Vartan attributes his aesthetics to a variety
of influences, including Art Deco style, actresses from the 1950's
and 1960's, and even the film "Blade Runner." The essential goal of
his line is always to create designs that respect women and their
bodies and that embody an effortless, flowing elegance. Dismayed
by the tendency in the fashion industry to focus only on very thin
women, he designs his clothing for all figures, explaining, "There
is no right size. It doesn't exist."
Designing is a complex process, beginning with the sketch of an idea,
dissected into a pattern that is then modeled with life-sized paper
cutouts that hang from racks like disembodied paper dolls. Created
first with a test fabric and tried on by a model, the design is
tweaked until the desired result is achieved, and the final product
is manufactured with high-quality fabric and becomes a part of the
collection. While the majority of Vartan's designs are for women,
he does design some men's clothing and plans to expand his men's
collection in the future.
When not designing in his studio, Vartan is occupied with photo shoots,
interviews, and mentoring his many interns. He also speaks at schools
from time to time and is very active in the Boston area Armenian
community. He serves on the committee of the Armenian Business Network
and is a member of the Knights of Vartan. He places huge importance
on Armenians working as a community and contributing to it however
they can, and envisions a bright future for what he describes as a
resilient, survivalist people who thrive on laughter.
His focus is positive and forward-looking; while he recognizes the
need for acknowledgment of Armenia's history and the crimes against
it, he cautions against letting this need become all-consuming.
"Genocide does define us to a certain extent, but it's not the end of
who the Armenians are and where we're going... In my own way, I would
just want my Armenian friends, community, and new families through
my work to understand that being Armenian is a lot more than just
owning a piece of land that says 'Armenia.' It starts in the heart,
it starts in your upbringing, and also in the faith that you believe
in... But I want us to be happy Armenians, and not bitter, like a
lot of other cultures are still to this day about their history. Of
course, a genocide is a terrible thing for anybody to experience or
to go through, but if you don't move on, you'll become a thing of
the past, and you'll be part of the dust of the earth. That's exactly
what I don't want my Armenian nation, my people, to become."
And in the spirit of moving on, there is much on the horizon for Samuel
Vartan Collections. The collections expand in response to demand,
which has been growing consistently since Vartan's first designs for
friends in Montreal. Eschewing what he sees as cheap fame-chasing,
he has refused several invitations to appear on Project Runway,
preferring to let his work speak for itself.
His next Boston fashion show will be on June 20 at the Liberty Hotel
in Boston, and his collections will be showcased during New York's
fashion week in September. More information about these events and
the collections featured can be found at www.samuelvartan.com.
From: A. Papazian
by Katie Vanadzin
http://www.armenianweekly.com/2013/04/03/armenian-designer-enlivens-boston-fashion-industry/
April 3, 2013
Stepping into a Samuel Vartan dress is a transporting experience.
Nevermind that one is perhaps, as I was, in his studio near the
Fresh Pond Mall on a dark and dingy winter's day. In the brilliant
red floor-length dress, I was strolling down the gangway to a friend's
yacht for an evening gala off of Santorini. The warm breeze on my face,
I smiled into the sunset, until I opened my eyes and remembered that
I was in Boston. In March.
Stepping into a Samuel Vartan dress is a transporting experience.
But one can always pretend-and one will want to, as soon as one sees
the Samuel Vartan Collections, designed by Samuel Vartan Bizdikian,
who has been a Boston resident for the last decade. Born in Athens in
1960 to Armenian parents, Vartan lived there until age six, when his
family relocated to Beirut where his father studied at the American
university and the Near East School of Theology. The family left Beirut
in 1968, giving up a likely position for his father at the highly
regarded Haigazian University, and immigrated to Montreal, Canada,
where Vartan's aunt and uncle were living. Vartan says he remembers
there being "around 150 to 200 people, who had come to dissuade my
father from going... The plan was I think to stay for 5 years and
then leave. Obviously, as everyone knows, he did the right thing
because a few years later, you know, it was just a nightmare there. "
The move to Montreal turned out to be fortuitous in another way;
the family's arrival there in October 1968 is what Vartan considers
now to have been his second birth. "Montreal really really really
defines who I am, not only as a designer but as a person. I'm very
proud of the fact that I was born in Greece, because I do love Greece
and I've been there often, but growing up during your key years in
a city like Montreal is a real gift."
A model wearing one of Samuel Vartan's designs.
The thriving, European-influenced city provided the perfect environment
for Vartan to explore his artistic interests. Majoring in film and
communications at Dawson College, Vartan left his studies just before
graduating. Consistently involved in the Montreal music scene,
Vartan attributes his love of music to his family. "Our parents
sang to us every night to sleep so we were all musically very well
ear-trained. You know, we did the whole thing, we sang in the church
choir, we were like the Armenian Von Trapp family." During this time,
Vartan also created many prize-winning short films and dabbled in
stop-motion and 3D animation. "There was a point in my life, I think
in the 80s probably the most, where there were several times I really
felt like I was on top of the world because it was just so amazing
to be alive and living in Montreal... It was a great city to express
yourself, in many ways."
Part-time work in a hospital and a popular clothing store, "Le
Chateau," provided him with the financial stability to pursue various
avenues of artistic expression. Almost by accident, he discovered his
interest in fashion design when he went fabric shopping with a friend
from a rival band. When another friend opened a leather shop in the
city, Vartan designed a few jackets for him, which sold well. The
owner of a popular cafe then asked Vartan to design the outfits for
its staff. One project led to another until Samuel Vartan Collections
was registered in 1998 and incorporated in 2000.
Meanwhile, Vartan's life was changing in other exciting ways.
Unknowingly, he'd already crossed paths several times with his future
wife, Kiky Papadopoulos, whose cousins were friends of his. After
a long distance friendship and frequent phone conversations between
Boston and Montreal, she visited him in Montreal and they were engaged
in 2002. The couple married in 2003, and Vartan relocated to Boston,
where his son Alexander Vartan was born in 2006.
Samuel Vartan at a fashion show.
For two years Vartan sold his designs from a stand-alone boutique in
Brighton, which attracted the attention of the local press. "I opened
it knowing that I would close it within two years. My sole purpose
was to have a boutique where people could see the way the clothes
should be displayed, in the right setting." Currently, the Samuel
Vartan Collections are distributed to free-standing, high-end boutiques
throughout the U.S. and Canada by his representatives at the Christina
K. Pierce boutique fashion agency. Although generally a wholesaler,
his designs are occasionally available for purchase by individuals.
While he has no concrete plans yet for another stand-alone store,
Vartan says he hopes to open a flagship store in Montreal or New
York in the future. For the time being, he does not see a Boston
store in his plans, citing the city's need to increase support for
local designers. "There needs to be a lot more unity here...amongst
designers, stores, the media. In Montreal, if you want to put on a
show, people jump in, saying, 'How can we help?' So they're into it,
into discovering new talent. Here, they do fashion shows based on
boutiques that carried names that were already household names like
Chanel, Armani, or whatever, Donna Karan. They do a fashion show,
but who's Boston's voice? What are you doing about the local talent?' "
Vartan's line includes the spring/summer "Mediterraneo" and winter/fall
"Dark City" collections. The Mediterraneo designs are warm and
light, influenced by the mild climates of Greece, Italy, and Spain,
whilst the Dark City collection channels the atmosphere of an urban
European underground. Vartan attributes his aesthetics to a variety
of influences, including Art Deco style, actresses from the 1950's
and 1960's, and even the film "Blade Runner." The essential goal of
his line is always to create designs that respect women and their
bodies and that embody an effortless, flowing elegance. Dismayed
by the tendency in the fashion industry to focus only on very thin
women, he designs his clothing for all figures, explaining, "There
is no right size. It doesn't exist."
Designing is a complex process, beginning with the sketch of an idea,
dissected into a pattern that is then modeled with life-sized paper
cutouts that hang from racks like disembodied paper dolls. Created
first with a test fabric and tried on by a model, the design is
tweaked until the desired result is achieved, and the final product
is manufactured with high-quality fabric and becomes a part of the
collection. While the majority of Vartan's designs are for women,
he does design some men's clothing and plans to expand his men's
collection in the future.
When not designing in his studio, Vartan is occupied with photo shoots,
interviews, and mentoring his many interns. He also speaks at schools
from time to time and is very active in the Boston area Armenian
community. He serves on the committee of the Armenian Business Network
and is a member of the Knights of Vartan. He places huge importance
on Armenians working as a community and contributing to it however
they can, and envisions a bright future for what he describes as a
resilient, survivalist people who thrive on laughter.
His focus is positive and forward-looking; while he recognizes the
need for acknowledgment of Armenia's history and the crimes against
it, he cautions against letting this need become all-consuming.
"Genocide does define us to a certain extent, but it's not the end of
who the Armenians are and where we're going... In my own way, I would
just want my Armenian friends, community, and new families through
my work to understand that being Armenian is a lot more than just
owning a piece of land that says 'Armenia.' It starts in the heart,
it starts in your upbringing, and also in the faith that you believe
in... But I want us to be happy Armenians, and not bitter, like a
lot of other cultures are still to this day about their history. Of
course, a genocide is a terrible thing for anybody to experience or
to go through, but if you don't move on, you'll become a thing of
the past, and you'll be part of the dust of the earth. That's exactly
what I don't want my Armenian nation, my people, to become."
And in the spirit of moving on, there is much on the horizon for Samuel
Vartan Collections. The collections expand in response to demand,
which has been growing consistently since Vartan's first designs for
friends in Montreal. Eschewing what he sees as cheap fame-chasing,
he has refused several invitations to appear on Project Runway,
preferring to let his work speak for itself.
His next Boston fashion show will be on June 20 at the Liberty Hotel
in Boston, and his collections will be showcased during New York's
fashion week in September. More information about these events and
the collections featured can be found at www.samuelvartan.com.
From: A. Papazian