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The Hindu
March 16 2014
Putting pictures together
Out of the blue there arrived the other day a catalogue that brought
back memories of Mala Mukerjee who many years ago took photographs for
my Madras Musings and for assignments I had worked on. Many others in
Madras will remember her as the charming wife of a banking head in the
city, hostessing very propah dinners by night and roaming the city by
day handling her saree as she leaped about trying to get the best
angles for a picture she wanted to capture just right. There are still
others, particularly cricket buffs, who might remember her picture of
that very last moment that made a Test at Chepauk an exciting tie in
1986.
Only the second tie in Test cricket, it was memorable for Dean Jones'
epic 210 scored while fighting fatigue and dehydration, the
Shastri-Maninder Singh partnership that failed to earn a win but
achieved a tie -- and Mala Mukerjee's picture of that final moment, the
only picture of it taken by any photographer, Indian or international,
amateur or professional. She was to later tell me, "I was so excited
by what was happening on the field that I didn't realise I was
clicking and clicking and it was only when I got home and developed
the rolls that I realised what I had got. And it was only after I saw
the match pictures in the various papers the next day that I realised
that I had got that once-in-a-lifetime shot." That picture, my
favourite of those she 'shot' for me -- of how the MRTS was ruining the
Buckingham Canal -- and one of her pictures from the catalogue, showing
how completely different her work is today, are the three contrasting
pictures I present readers today.
Her photo-art is what she now showcases in her Mala Mukerjee Gallery
(MMG) in Kolkata -- where she also hosts exhibitions of the work of
other photographers. MMG is a founder member of the China
International Photography Museum and Gallery Alliance (IPMGA) founded
in what is called "the first photography town in China", Lishui, in
November 2011. At the first International Congress and Photographic
Art Exhibition held there that year, Mala volunteered to hold the
second one in Kolkata to help reclaim its position in "the forefront
of photography in India." It's the catalogue of that event that found
its way to my table. It's an impressive publication, but what bowled
me over was the work of the "New Mala" -- a photographer turned artist.
******
Always something new to learn
There is always something new to learn -- even every day, as far as
Madras is concerned, I always tell people who ask me how I keep this
column going. And that learning comes from readers who keep sending me
material, or leads to material about people, places and potpourri
about Madras.
What made me think of this recently was two events: a visit by two
Frenchwomen of Armenian heritage researching the Armenian presence in
India and the release a couple of days later of the book Contemporary
Facets of the Anglo-Indian Community written by Dr. Geoffrey K.
Francis. Both produced nuggets of information that I had had no clue
about, even though I had done much work on both the Armenians and the
Anglo-Indians.
Chantal Satenig Batwagan-Toufanian, one of my visitors, told me she
was especially interested in a book titled The Trap of Grandeur (aka
as The Trap of Glory or The Trap of Vanity) and wondered whether, as
it had first been published in Madras, I knew anything about it. And I
let the side down by saying I'd never even heard of it. Whereupon I
did hear about it -- in an accent I struggled to decipher.
The author, I learnt, was Hakob Shahamirian (known better in Madras as
Jacob Shawmier) who printed and published it in Armenian in Madras.
The title page carries the following imprint: "In 1773 in the main
Indian city of Madras in the print house of Hakob Shahamirian." But
what was most interesting about this book is that, besides narrating
the history of the Armenian people, it suggested to them what is
considered "the first republican constitution in the world." Jacob
Shawmier, the son of Shawmier Sultan (of Julfa in Persia, before he
settled in Madras) had set up a printing press in Madras in 1772, the
first Armenian press in the country.
The second bit of learning came from Dr. Francis's collection of
articles, speeches, and appeals. Those who know Anglo-Indian history
are undoubtedly aware that John Ricketts, who worked with the
nationalist poet Henry Derozio, took with him to London in December
1829 a petition seeking better living conditions for the East Indians
(as Anglo-Indians were known before 1911). What I didn't know was that
with it went a petition from the East Indians of Madras, who were
themselves planning to establish an association of their own.
Interestingly, a public subscription was raised in Madras to support
Ricketts' journey to London with both petitions -- and the first to
subscribe to it was Governor Stephen Lushington!
The next bit of learning followed on this. On his return journey from
London, Ricketts disembarked in Madras in late 1830 and spent a few
weeks here. While here, Governor Lushington gave him an audience and
invited him to a State Ball and Dinner. The East Indians, whose
association had not got off the ground at the time, gave him a public
dinner and a reception ball and supper and congratulated him on what
he had achieved in London. In fact, he hadn't achieved much by way of
initiating action, but he did deliver the petitions to Parliament,
Government and the Crown, and the Charter of 1833, during the
preparation of which the East Indian petitions must have been
considered, restored all the rights the East Indians had lost from
time to time over the previous 50 years.
It was, however, to be some time, before the East Indians formed an
association in Madras. The association was formed in October 1879 and
registered as The Eurasian and Anglo-Indian Association of Southern
Indian in 1882. It later became The Anglo-Indian Association of
Southern India in 1908. The founding President of the Association was
David White and presiding over it today is Geoffrey K. Francis, a
leading educationist and correspondent of three Anglo-Indian Schools.
He was Principal of A.M. Jain College and, after retirement, is
Principal of the College's second shift. He was also the MLA
representing the Anglo-Indians in the Tamil Nadu Assembly from 1985 to
1988.
******
When the postman knocked...
*You've forgotten two others from Ceylon (Miscellany, March 10), who
did much in India in religious and Tamil studies; in fact, you had
written about one of them, S. Sivapathasundaram, writes R. Rajendran,
chiding me. The other person he refers to is Yazhpaanam Kadhirvel
Pillai, a Saiva Siddhantha pandit who had much to do in getting labour
leader Thiru Vi.Ka. more interested in philosophy than in the labour
movement after he passed the labour crown on to C.S. Anthonypillai.
Sivapathasundaram's contribution, as I have related in the past
(Miscellany, November 12, 2012), was as much in broadcasting as in
writing travelogues and partnering Chitti in writing the definitive
histories of the Tamil Novel and of the Tamil Short Story.
*How can refugees, who have not been given citizenship or permanent
residency of the host countries they have sought refuge in, be
considered part of a diaspora (Miscellany, March 10), wonders S.
Geetha, who says she is a student of international relations. That, I
rather think, is a valid point, but I wonder what the editors of the
National University of Singapore's encyclopaedia on the Sri Lankan
diaspora have to say to that.
*That picture you used to illustrate a crowded George Town street
(Miscellany, March 10) is of the area's main thoroughfare, N.S.C. Bose
Road, and hardly shows how bad the congestion in the area's
cross-streets is, regrets L. Ramadoss. Can't you give us a picture
that shows it really like it is, he asks. Will today's picture of
Armenian Street do, reader Ramadoss?
http://www.thehindu.com/features/metroplus/society/putting-pictures-together/article5788342.ece?utm_source=RSS_Feed&utm_medium= RSS&utm_campaign=RSS_Syndication
March 16 2014
Putting pictures together
Out of the blue there arrived the other day a catalogue that brought
back memories of Mala Mukerjee who many years ago took photographs for
my Madras Musings and for assignments I had worked on. Many others in
Madras will remember her as the charming wife of a banking head in the
city, hostessing very propah dinners by night and roaming the city by
day handling her saree as she leaped about trying to get the best
angles for a picture she wanted to capture just right. There are still
others, particularly cricket buffs, who might remember her picture of
that very last moment that made a Test at Chepauk an exciting tie in
1986.
Only the second tie in Test cricket, it was memorable for Dean Jones'
epic 210 scored while fighting fatigue and dehydration, the
Shastri-Maninder Singh partnership that failed to earn a win but
achieved a tie -- and Mala Mukerjee's picture of that final moment, the
only picture of it taken by any photographer, Indian or international,
amateur or professional. She was to later tell me, "I was so excited
by what was happening on the field that I didn't realise I was
clicking and clicking and it was only when I got home and developed
the rolls that I realised what I had got. And it was only after I saw
the match pictures in the various papers the next day that I realised
that I had got that once-in-a-lifetime shot." That picture, my
favourite of those she 'shot' for me -- of how the MRTS was ruining the
Buckingham Canal -- and one of her pictures from the catalogue, showing
how completely different her work is today, are the three contrasting
pictures I present readers today.
Her photo-art is what she now showcases in her Mala Mukerjee Gallery
(MMG) in Kolkata -- where she also hosts exhibitions of the work of
other photographers. MMG is a founder member of the China
International Photography Museum and Gallery Alliance (IPMGA) founded
in what is called "the first photography town in China", Lishui, in
November 2011. At the first International Congress and Photographic
Art Exhibition held there that year, Mala volunteered to hold the
second one in Kolkata to help reclaim its position in "the forefront
of photography in India." It's the catalogue of that event that found
its way to my table. It's an impressive publication, but what bowled
me over was the work of the "New Mala" -- a photographer turned artist.
******
Always something new to learn
There is always something new to learn -- even every day, as far as
Madras is concerned, I always tell people who ask me how I keep this
column going. And that learning comes from readers who keep sending me
material, or leads to material about people, places and potpourri
about Madras.
What made me think of this recently was two events: a visit by two
Frenchwomen of Armenian heritage researching the Armenian presence in
India and the release a couple of days later of the book Contemporary
Facets of the Anglo-Indian Community written by Dr. Geoffrey K.
Francis. Both produced nuggets of information that I had had no clue
about, even though I had done much work on both the Armenians and the
Anglo-Indians.
Chantal Satenig Batwagan-Toufanian, one of my visitors, told me she
was especially interested in a book titled The Trap of Grandeur (aka
as The Trap of Glory or The Trap of Vanity) and wondered whether, as
it had first been published in Madras, I knew anything about it. And I
let the side down by saying I'd never even heard of it. Whereupon I
did hear about it -- in an accent I struggled to decipher.
The author, I learnt, was Hakob Shahamirian (known better in Madras as
Jacob Shawmier) who printed and published it in Armenian in Madras.
The title page carries the following imprint: "In 1773 in the main
Indian city of Madras in the print house of Hakob Shahamirian." But
what was most interesting about this book is that, besides narrating
the history of the Armenian people, it suggested to them what is
considered "the first republican constitution in the world." Jacob
Shawmier, the son of Shawmier Sultan (of Julfa in Persia, before he
settled in Madras) had set up a printing press in Madras in 1772, the
first Armenian press in the country.
The second bit of learning came from Dr. Francis's collection of
articles, speeches, and appeals. Those who know Anglo-Indian history
are undoubtedly aware that John Ricketts, who worked with the
nationalist poet Henry Derozio, took with him to London in December
1829 a petition seeking better living conditions for the East Indians
(as Anglo-Indians were known before 1911). What I didn't know was that
with it went a petition from the East Indians of Madras, who were
themselves planning to establish an association of their own.
Interestingly, a public subscription was raised in Madras to support
Ricketts' journey to London with both petitions -- and the first to
subscribe to it was Governor Stephen Lushington!
The next bit of learning followed on this. On his return journey from
London, Ricketts disembarked in Madras in late 1830 and spent a few
weeks here. While here, Governor Lushington gave him an audience and
invited him to a State Ball and Dinner. The East Indians, whose
association had not got off the ground at the time, gave him a public
dinner and a reception ball and supper and congratulated him on what
he had achieved in London. In fact, he hadn't achieved much by way of
initiating action, but he did deliver the petitions to Parliament,
Government and the Crown, and the Charter of 1833, during the
preparation of which the East Indian petitions must have been
considered, restored all the rights the East Indians had lost from
time to time over the previous 50 years.
It was, however, to be some time, before the East Indians formed an
association in Madras. The association was formed in October 1879 and
registered as The Eurasian and Anglo-Indian Association of Southern
Indian in 1882. It later became The Anglo-Indian Association of
Southern India in 1908. The founding President of the Association was
David White and presiding over it today is Geoffrey K. Francis, a
leading educationist and correspondent of three Anglo-Indian Schools.
He was Principal of A.M. Jain College and, after retirement, is
Principal of the College's second shift. He was also the MLA
representing the Anglo-Indians in the Tamil Nadu Assembly from 1985 to
1988.
******
When the postman knocked...
*You've forgotten two others from Ceylon (Miscellany, March 10), who
did much in India in religious and Tamil studies; in fact, you had
written about one of them, S. Sivapathasundaram, writes R. Rajendran,
chiding me. The other person he refers to is Yazhpaanam Kadhirvel
Pillai, a Saiva Siddhantha pandit who had much to do in getting labour
leader Thiru Vi.Ka. more interested in philosophy than in the labour
movement after he passed the labour crown on to C.S. Anthonypillai.
Sivapathasundaram's contribution, as I have related in the past
(Miscellany, November 12, 2012), was as much in broadcasting as in
writing travelogues and partnering Chitti in writing the definitive
histories of the Tamil Novel and of the Tamil Short Story.
*How can refugees, who have not been given citizenship or permanent
residency of the host countries they have sought refuge in, be
considered part of a diaspora (Miscellany, March 10), wonders S.
Geetha, who says she is a student of international relations. That, I
rather think, is a valid point, but I wonder what the editors of the
National University of Singapore's encyclopaedia on the Sri Lankan
diaspora have to say to that.
*That picture you used to illustrate a crowded George Town street
(Miscellany, March 10) is of the area's main thoroughfare, N.S.C. Bose
Road, and hardly shows how bad the congestion in the area's
cross-streets is, regrets L. Ramadoss. Can't you give us a picture
that shows it really like it is, he asks. Will today's picture of
Armenian Street do, reader Ramadoss?
http://www.thehindu.com/features/metroplus/society/putting-pictures-together/article5788342.ece?utm_source=RSS_Feed&utm_medium= RSS&utm_campaign=RSS_Syndication