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Chess Is A Wonderful Game, But It's No Life Coach

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  • Chess Is A Wonderful Game, But It's No Life Coach

    CHESS IS A WONDERFUL GAME, BUT IT'S NO LIFE COACH

    Stephen Moss
    Spain is making chess compulsory in schools but even as an avid player,
    I can't quite endorse the lofty claims made for it Eight-year-old
    David Ayrapetyan plays a game of chess at school in Yerevan, Armenia,
    after the country made chess mandatory in schools.

    Photograph: Tigran Mehrabyan/AP

    Contact author

    @StephenMossGdn

    Tuesday 17 February 2015 11.27 GMT Last modified on Tuesday 17 February
    2015 11.50 GMT

    Chess is to be made a compulsory subject in Spanish schools. There is
    cross-party agreement that the move is a good one, with the Socialist
    party MP who proposed it claiming the game "improves memory and
    strategic capacity, teaches students to make decisions under high
    pressure and develops concentration".

    Spain will not be the first country to build chess into the
    curriculum. Armenia long ago made it a core subject, with startling
    results for its national chess strength - they have won three of the
    past five Olympiads, an amazing result for so small a nation pitted
    against the might of chess superpowers such as Russia, China and
    the US.

    Former world champion Garry Kasparov wrote a book, How Life Imitates
    Chess, arguing that chess is an "ideal instrument" for developing
    effective decision-making. "What am I lacking? What are my strengths?

    What types of challenges do I tend to avoid and why?" These are the
    questions you have to answer in life, as in chess, he insisted. We
    will for the moment ignore the fact that Kasparov has largely failed
    to transfer his chess genius to the greater (and far more dangerous)
    game of Russian politics.

    Jonathan Rowson, the former British champion and an immensely
    thoughtful writer on chess (and much else besides), has gone even
    further than Kasparov, describing chess as the rock on which he
    founded his early life. "I don't want to pour out too much of my soul,"
    he wrote in his column (now sadly defunct) in the Herald newspaper,
    "but things happened in my childhood that I was too young to make
    sense of at the time, and recently it has become clear to me just
    how essential chess was to my survival. Sublimation is the technical
    psychological term. Chess gave me a way to channel difficult emotions
    into something creative and constructive."

    The forerunner of all this chess-for-life thinking was the 18th-century
    American writer, inventor and statesman Benjamin Franklin, a keen
    (though by all accounts not very capable) player, who in his essay The
    Morals of Chess argued that the game was good for the soul. "Chess
    is not merely an idle amusement," he wrote. "Several very valuable
    qualities of the mind, useful in the course of human life, are to
    be acquired or strengthened by it, so as to become habits, ready on
    all occasions. For life is a kind of chess, in which we have often
    points to gain, and competitors or adversaries to contend with, and
    in which there is a vast variety of good and ill events that are,
    in some degree, the effects of prudence or the want of it."

    Facebook Twitter Pinterest Anatoly Karpov, left, defending world chess
    champion, and challenger Garry Kasparov, both of the Soviet Union,
    at the World Chess finals in Moscow, 1984. Photograph: Anonymous/AP

    Plenty of distinguished observers have, however, reached the opposite
    conclusion, contending that chess, a quietly vicious game in which you
    are trying to obliterate your opponent, can produce monsters. Mostly,
    they were thinking about Bobby Fischer, the American genius who quit
    school at 16 to concentrate on chess and became world champion at 29.

    "Chess is war over the board," said Fischer. "The object is to crush
    the opponent's mind. I like the moment when I break a man's ego."

    These are not pleasant lessons, yet they created a player who has
    claims to be called the greatest of all time.

    Arthur Koestler, who admitted he was a "passionate duffer" where
    chess was concerned, reported for the Sunday Times on the great match
    between Fischer and the then reigning world champion Boris Spassky
    in Reykjavik in 1972. He was struck by the double-sidedness of chess,
    calling it the "perfect paradigm for both the glory and the bloodiness
    of the human mind".

    George Steiner was in Reykjavik, too, covering the match for the
    New Yorker. His verdict was even less generous than Koestler's. Not
    content merely to conclude that chess was ultimately pointless, he
    argued that devoting one's formidable mental attributes to a pastime
    was almost guaranteed to lead to insanity. "A chess genius is a human
    being who focuses vast, little-understood mental gifts and labours on
    an ultimately trivial human enterprise," he wrote. "Almost inevitably,
    this focus produces pathological symptoms of nervous stress and
    unreality." The irascible, unpredictable, at times out-of-control
    Fischer was of course uppermost in his mind.

    I have been studying chess (and chess players) for the past three
    years, for a book to be published in 2016. I can see both points of
    view. The game does force you to think, analyse, rationalise, apply
    logic. But it also drives you a little bit crazy. The deeper you go
    into it, the more you realise your limitations. The "truth", as chess
    players like to term it, of a position is all too often elusive. After
    playing a game (especially if I lose), I will sometimes lie awake in
    bed for hours playing through the game in my head. The pain of chess
    generally outweighs the pleasure.

    Facebook Twitter Pinterest Bobby Fischer at the US chess championship
    tournament in New York in 1965. Photograph: JK/AP

    Many claims are made for chess - that it is art, science and sport all
    rolled into one. Well, maybe. We players who devote thousands of hours
    to it have to believe we are engaged in some higher endeavour. But
    again I'm not sure it's really true. I like it mainly because it's
    a glorious waste of time, a way of cocking a snook at the workaday
    world. Some chess professionals in the UK get by on £12,000 a year
    - grandmasters earning less for creating beautiful games than they
    would make stacking shelves. But they reason that they are beating
    the system. Many chess players are loners, outsiders, rebels. The
    board is their world; the place they are most at home.

    For me the Dutch grandmaster and chess columnist Hein Donner -
    the model for the character of Onno Quist in Harry Mulisch's novel
    The Discovery of Heaven - came closest to getting to the essence
    (or perhaps non-essence) of chess. He addressed the art v game,
    profound endeavour v complete waste of time question in a column
    published in 1959. "A chess player produces nothing, creates nothing,"
    Donner concluded in his usual emphatic style. "He only has one aim:
    the destruction of his opponent."

    Chess, Donner insisted, is a struggle, a fight to the death. "When
    one of the two players has imposed his will on the other and can
    at last begin to be freely creative, the game is over. That is the
    moment when, among masters, the opponent resigns. That is why chess is
    not art. No, chess cannot be compared with anything. Many things can
    be compared with chess, but chess is only chess." A wonderful game,
    but a most peculiar preparation for life, whatever Benjamin Franklin,
    Garry Kasparov and Spanish parliamentarians might tell you.

    http://www.theguardian.com/commentisfree/2015/feb/17/chess-wonderful-game-peculiar-life-spain-schools

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