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Eileen Khatchadourian: Armenian You Can Understand

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  • Eileen Khatchadourian: Armenian You Can Understand

    EILEEN KHATCHADOURIAN: ARMENIAN YOU CAN UNDERSTAND
    By Elie El Khoury

    Daily Star
    http://starscene.dailystar.com.lb/featured/20 09/11/eileen-khatchadourian-armenian-you-can-under stand/
    Nov 17 2009
    Lebanon

    Whoever said that music is the only universal language is a wise wise
    man (or woman). On Friday November 13th, I had the chance to attend
    the Beirut Rock Festival on its second night to witness Yan Tierson's
    opening act; Eileen Khatchadourian and her band.

    The young Armenian vocalist performed songs mostly of her debut
    effort "Midan" which literally translates to "Home". The album ia a
    compilation of Armenian folk songs repackaged and reinterpreted with
    a rock twist for a younger generation who is slowly phasing away from
    its heritage.

    The performance was truly impressive. The singer's refined vocal
    abilities were complemented by her band's aggressive guitar riffs,
    thumping kicks and hypnotizing synthesizer loops. The VJs projected
    clips and abstract images added a visual dimension and inspired
    various interpretations compatible to the music.

    Khatchadourian was kind enough to translate every song's title and
    give the audience a heads up on the theme of each piece which rendered
    the whole "foreign language" deal quite a plus since I was literally
    feeding off the projected images and melodic progressions to paint the
    picture in my head. My brain was accenting the picture at times and
    mellowing it at others depending on the vocalist's tone and delivery.

    By the mere folk nature of the project, the track listing covered every
    possible topic from the call to come back to the mother land with
    "Caravan", the urge to rise up and fight the oppression with "Zarti
    Vortyag" to the very sweet and soothing sounds of a lullaby with
    "Oror" which served as the artist's closing act.

    As the final words of "Oror" were pronounced, the crowd's roaring
    masked the young artist's thanks and wishes for a "truly inspiring
    night".

    This experience was a true eye-opener for me. Whoever claims that
    rock should remain in the west is definitely missing out on this
    genre's ability to serve as a powerful medium of translating people's
    struggle from an almost forgotten past to the ground shaking present;
    a criteria that perfectly fits Eileen Khatchadourian and her band.
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