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AGBU Syria Lectures on Prominent Cultural Figures from the 1850-1950

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  • AGBU Syria Lectures on Prominent Cultural Figures from the 1850-1950

    AGBU Press Office
    55 East 59th Street
    New York, NY 10022-1112
    Phone: 212.319.6383, x118
    Fax: 212.319.6507
    Email: [email protected]
    Website: www.agbu.org

    PRESS RELEASE

    Monday, November 23, 2009

    Lectures Devoted to Prominent Cultural Figures from the 1850-1950 Period
    Take Place at AGBU Aleppo Center

    A series of lectures, organized by the AGBU AYA Cultural Committee, took
    place on October 21, 22 and 23, 2009 at the AGBU Calouste Gulbenkian
    Center in Aleppo, Syria.

    Narine Tukhikian, director of the Hovhannes Toumanian House-Museum in
    Yerevan, was the guest lecturer for this series, during which the Aleppo
    Armenian community, over three successive days, became more closely
    acquainted with some of our great literary and cultural figures:
    Hovhannes Toumanian, Bedros Atamian, Nadezhda Babayan, Marie Nuard,
    Shahan Shahnour, Krikor Zohrab and Sempad Piurad. Avoiding literary and
    critical analyses, Tukhikian relied on the letters of these well-known
    figures to highlight the role of each in Armenian cultural and national
    life.

    The first lecture was devoted to Toumanian, the great freedom-loving
    Armenian humanitarian, whose life coincided with the bloodiest period in
    Armenian history. Toumanian, who was the embodiment of devotion and
    patriotism, contributed to the preservation of the Armenian spirit in
    all possible ways, through his literature and journalism, as well as
    political and social activity.

    The second lecture was devoted to the famous Armenian actors and
    actresses of the second half of the 19th century, who graced Armenian
    and European stages: "brilliant actor, great master of the stage" Bedros
    Atamian; "the first Armenian opera singer with human simplicity and
    magnificent artistry" Nadezhda Babayan; Marie Nuard, an actress who won
    much praise and proved that "the Armenian public in Constantinople has
    already overcome biases and feels the need to see women on stage."

    On the last day of the lecture series, the topic included a discussion
    of the work of Shahan Shahnour, Krikor Zohrab and Sempad Piurad.

    Tukhikian explained Shahnour's literary merits within the confines of
    world literature. She then presented Krikor Zohrab, the writer, lawyer,
    parliament deputy and public worker, who won the hearts and minds of
    numerous readers with his short stories. The excerpts quoted from
    Zohrab's letters, which revealed Zohrab as a loving husband, a joyful
    and witty individual, were moving and impressive.

    Unfortunately, however, he suffered a cruel fate: "At the very beginning
    of his life, he didn't have a document confirming the day of his birth,
    and at the end of his life, he didn't have a tombstone attesting to that
    end."

    The Turkish scimitar cut short the lives of many brilliant Armenian
    figures, who, if they had been lucky enough to live and work, would
    undoubtedly have produced works to portray the evolving Armenian
    reality. Such a figure was the writer, educator and public worker Sempad
    Piurad, who, before suffering a martyr's death in Ayash, wrote the
    following sentence on the wall of his prison cell: "I'm certain that we
    are going to die but the Armenian nation will not die and it's obvious
    that Turkey shall lose much after this war." The three-day lecture
    series ended with this citation.

    Credit for the success of the lecture series goes to Arevig Atashian,
    Mano Meyneshlian, Nayiri Ohanian and the AYA Gomidas chamber music
    ensemble directed by Hovhannes Moubayed.

    At the conclusion of the third lecture, Silva Darakdjian, chairman of
    the Cultural Committee, invited Executive Committee Chairman Vicken
    Attarian and Local Chairman Raffi Tchaghlasian to come up on stage;
    they, in turn, presented Tukhikian with a silver plate and the series of
    reprinted volumes of Teotig's Amenun Daretsuits [Everybody's Almanac].

    Note: This is an abridged translation of a report filed by Zepure
    Tamerian.

    Established in 1906, AGBU (www.agbu.org) is the world's largest
    non-profit Armenian organization. Headquartered in New York City, AGBU
    preserves and promotes the Armenian identity and heritage through
    educational, cultural and humanitarian program, annually touching the
    lives of some 400,000 Armenians around the world.
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