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ISTANBUL: Textile treasures of Turkish Armenian Patriarchate reveale

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  • ISTANBUL: Textile treasures of Turkish Armenian Patriarchate reveale

    Textile treasures of Turkish Armenian Patriarchate revealed in a book
    VERICIHAN ZIFLIOGLU
    ISTANBUL - Hurriyet Daily News
    Thursday, April 21, 2011

    The closed doors of Turkish Armenian Patriarchate have been opened for
    two US experts. Archaeology Professor Ronald T. Marchese and Textile
    professor Marlen R. Breu have now published a book after carrying out
    10 years of research, with special permission from Patriarch Mesrop
    II, on 18th and 19th century textile treasures held by the Istanbul
    Armenian Orthodox Church. `The materials that appears in the book have
    never been studied before,' says Marchese


    After 10 years of in-depth research of the archives and repositories
    of the Armenian Orthodox Church, two professors from the United States
    have published a book about the church's treasures.
    The Turkish Armenian Patriarchate opened its doors to Archaeology
    Professor Ronald T. Marchese and Textile Professor Marlen R. Breu in
    1998. The two researchers then spent the next decade examining and
    cataloguing many of the church's artifacts, mostly from the 18th and
    19th century though some were over 300 years old. Mesrop II, who has
    been fighting dementia since 2007, authorized the professors to carry
    out the inaugural study of the church's textile treasures.
    Marchese and Breu studied a variety of materials from holy books with
    priceless stones to caftans worn by patriarchs, and from golden
    brocaded clothes devoted to churches by women, to icons and slippers
    worn by priests.
    This thorough, comprehensive research has been published in a book
    titled
    `Splendor and Pageantry - Textile Treasures from the Armenian Orthodox
    Churches of Istanbul.' The book, in English and Turkish, includes
    color photos of many of the treasures.
    Speaking to the Hurriyet Daily News & Economic Review in an e-mail
    interview, Marchese said they started work in 1998 and examined
    hundreds of textile artifacts. `Many pieces used today were made more
    than 200 years ago, some older than 300 years. Such pieces were
    donated by Armenians of the past and then blessed to become gifts to
    the glorification of Church and God.'
    Breu said the work was significant because the artifacts had never
    before studied before or written about. `The older pieces are very
    important. The reason there are few older objects is the numerous
    fires, the breaking down of textiles over time, especially if they are
    used, and other factors. For this reason, our focus in the book is
    largely on 18th and 19th century artifacts.'
    Close friend of the sultans
    Churches have great importance to Armenian society and valuable stones
    are
    used in all objects from religious dresses to holy books and
    icons. =80=9CThe Armenian community was wealthy and many were very
    important in Ottoman circles. The working relationship between the
    Ottoman authorities and elite of the community benefited both
    parties. Many of these people were close friends with sultans and high
    government officials. Their prestige in the state offered
    opportunities for many Armenians, who displayed their wealth by
    becoming patrons. In this manner lavish use of gold and precious
    stones attached to objects of faith were donated to the church,'
    Marchese said in light of their research.
    When asked about the difference between textile treasures in Anatolian
    and
    Istanbul Armenian Orthodox churches, Marchese said, `In Istanbul the
    eastern Anatolian traditions found a place to come together and shared
    stitching techniques with their Greek counterparts with the arrival of
    Europeans and European traditions as well as their Ottoman neighbors.'
    Breu said the items they studied provided a clear insight into the
    history
    of the church and religious art. `The artifacts of Istanbul churches
    reflect the history of the Armenian people and also Ottoman history,
    changes in the accepted forms of art in general, especially in
    Christian religious art, and the introduction of Western art movements
    into the Ottoman Empire in the 19th century. They also reflect art
    forms from the East.'
    © 2011 Hurriyet Daily News




    From: A. Papazian
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